Piano

The Portuguese pianist Maria Joa?o Pires has long been associated with the music of Mozart. Her delicacy of touch, vibrancy of phrasing and sense of fantasy mark her out as one of the elect who can touch his keyboard music without coarsening or sim- plifying it. She has made two complete cycles of the sonatas; reissued here is the first one, from the days in the 1970s when she first appeared on the international scene and won over listeners with a graceful purity of approach that left more famous names trailing in her wake.The later cycle brought added refinement, but anyone who is captivated by this still undervalued corpus – too difficult for beginners, yet scorned by many professionals in search of gaudier glories – will want to hear this set.

Wilhelm Kempff was a master of poetic lyricism, with a wondrous keyboard touch and a breathtaking command of subtle dynamics and tonal colorations–all invaluable attributes of any Schubert interpreter. He also had the knack of holding together large structures that can often seem aimless, thus avoiding another trap many pianists fall into, that of lavishing so much attention on passing detail that Schubert's "heavenly lengths" can seem wayward wanderings. The one criticism often heard is that Kempff emphasizes poetry at the expense of drama. This magnificent set leaves that claim unsubstantiated.

Claudio Arrau - Liszt, Piano Works
EAC Rip | APE, CUE, LOG | Complete Scans | 6 CD | 1.1 GB
Classical | Philips | Catalog Number: 473775 | 2003

Of all the composers Claudio Arrau recorded extensively, Liszt was perhaps the most central, the most essential and the most personal. Trained as a youth in prewar Berlin by a Liszt pupil, Arrau's commanding virtuosity and compelling authority is clearly a continuation of the grand Romantic manner in general and of Liszt in particular and on these six discs are dozens of performances that speak with the power of tradition infused with strength of true belief. From the glittering cascades of Les jeux d'eaux à la Villa d'Este to the harrowing sonorities of Gnomenreigen and from the radiant arpeggios of Bénédiction de Dieu dans la solitude to the hushed intimacy of Liebestraum, Arrau knows Liszt's music with the fervor of a prophet and the passion of a lover. While it's true Arrau was in his seventies and eighties when he made these recordings and that time had mellowed his virtuosity, it's also true that time had matured his interpretations. Some listeners may prefer their Liszt players more vigorous, but few could ask for a more sensuous Liszt player. Including two performances of Liszt's Sonata in B minor, one an almost youthfully ardent recording from 1970 and the other a slower but more penetrating recording from 1985, provides a wonderful way to compare Arrau's approach to the composer's masterpiece. Philips' stereo sound is so realistic one can sometimes hear the pianist shift on the bench.

Louise Farrenc was one of the most respected pianists and composers in the 19th-century Parisian music scene, and her four sets of Études are her most important compositions for piano. Beautiful melodies and distinctiveness of character have made the Études, Op. 26 the most popular set, but all of these pieces are full of grace and charm alongside their didactic usefulness in their references to the styles both of Farrenc’s musical ancestors and her contemporaries. The Greek pianist Maria Stratigou is one of Louise Farrenc’s greatest exponents and makes her Grand Piano debut with these exquisite rarities.