Treasures is a new series of 3-CD sets drawn from the catalogs of Virgin Classics, presenting the best loved and key works of the classical repertoire at a very attractive price. These timeless masterpieces are performed by world-class performers including Natalie Dessay, Yehudi Menuhin, Mikhail Pletnev, Riccardo Muti, and Andre Previn. The Treasures series provides a wide overview of the must haves in each of these popular genres.
This 9-disc set includes the mature solo piano concertos in performances by Andras Schiff and the Salzburg Camerata Academica under Sandor Vegh. The piano sound is notably more recessed than in other versions, giving more attention to the orchestral half of the musical dialog. Additionally, the Bosendorfer piano used by Schiff produces a sound that will not be confused with a modern Steinway.
Alexey Zuev has a very special relationship with Stravinsky’s music. From the age of seven, it entered his musical universe like a premonition, when he unknowingly ‘composed’ a piece that bore astonishing similarities to Petrushka . Five years later, he discovered the ‘real’ Stravinsky and his music never left him.
The concept of The Romantic Piano Concerto series was born at a lunch meeting between Hyperion and the BBC Scottish Symphony Orchestra sometime in 1990. A few months later tentative plans had been made for three recordings, and the first volume, of concertos by Moszkowski and Paderewski, was recorded in June 1991. In our wildest dreams, none of us involved then could ever have imagined that the series would still be going strong twenty years later, and with fifty volumes to its credit.
The concept of The Romantic Piano Concerto series was born at a lunch meeting between Hyperion and the BBC Scottish Symphony Orchestra sometime in 1990. A few months later tentative plans had been made for three recordings, and the first volume, of concertos by Moszkowski and Paderewski, was recorded in June 1991. In our wildest dreams, none of us involved then could ever have imagined that the series would still be going strong twenty years later, and with fifty volumes to its credit.
The concept of The Romantic Piano Concerto series was born at a lunch meeting between Hyperion and the BBC Scottish Symphony Orchestra sometime in 1990. A few months later tentative plans had been made for three recordings, and the first volume, of concertos by Moszkowski and Paderewski, was recorded in June 1991. In our wildest dreams, none of us involved then could ever have imagined that the series would still be going strong twenty years later, and with fifty volumes to its credit.