One has to wonder why this box, Joni Mitchell's The Studio Albums 1968-1979, was issued only in the European market. During this period –and some would argue even after – Mitchell had one of most consistent quality runs in pop history. She is one of the most influential songwriters and recording artists of the 20th century…
German dance-pop duo Modern Talking were formed in Berlin in early 1983 by Dieter Bohlen, then a composer and producer employed by the Intersong label; teaming with vocalist Thomas Anders, they soon began work on their first single, 1984's "You're My Heart, You're My Soul." …
2009 release from the French Trip Hop artist, a collection of the Kid's tracks remixed by some of Electronica's finest artists including Saint Etienne, Howie B and Dimitri From Paris. For over a decade, Kid Loco has taken Trip Hop to new levels of sound and style. This compilation pushes the Kid's sound into new and exciting places. 14 tracks.
Digitally remastered and expanded three disc (two CDs + DVD) editions of studio albums by British alternative rock band Suede. Collection includes: Suede (1993), Dog Man Star (1994), Coming Up (1996), Head Music (1999) and A New Morning (2002).
French guitarist/producer U-Nam is again standing tall and looming large on the smooth jazz scene with another creative gem called C’est Le Funk. In addition to dazzling us with his graceful and funky instrumental work (and one funky delivery with vocals from Tim “TiO” Owens), the album is loaded with strong production and presence. Wasting no time putting the groove into high gear from the start, the guitarist leads off with a driving track called “Smoovin’,” continues plowing ahead with the party groover “Something’s Up” and strutting right through the super-funky, hook-rich title track which features Nivo Deux (Nivo Deux is actually a project organized by U-Nam and wife Shannon Kennedy focusing on the incorporation of 80’s Pop, Smooth Jazz, and Electro-Funk).
These sessions document unequivocally why Dizzy Gillespie is still considered one of the greatest improvisers in the history of jazz, for his mastery of the instrument, his command of time, his control over musical ideas, and his ability to entertain. He was blessed during this period, which spans 1954 to 1963, with stellar sidemen, unparalleled arrangements, and a surge of excitement for making music.