Liberty, enthusiasm, and sharing: that might well be the motto of the Kitgut Quartet (named for the ‘kitgut’ or catgut strings it uses), which brings together four outstanding soloists, all of them members of the leading period-instrument European ensembles. This first recording, devoted to Haydn and England (Purcell, Locke, Blow), explores the origins of the string quartet via a number of carefully chosen gems. A journey through time with plenty of surprises in store! "The Kitgut Quartet’s album seeks out antecedents among instrumental music from 17th-century England…It all makes for an ear-tickling album, superbly recorded and played." (The Times)
This first volume invites you to relive the highlights of the label’s first thirty years and pays tribute to the artists who built harmonia mundi on the heights of Saint-Michel-de-Provence, in a passionate quest for excellence that caused a genuine revolution in the world of early music.
Karina Gauvin's recordings, which include her solo CDs on the ATMA label as well as contributions to more than 40 other discs, have won numerous prizes, including a Chamber Music America Award for her disc Fête Galante with pianist Marc-André Hamelin, a Juno Award, a Félix for Prima donna, and several Opus prizes. "Divine Karina" is how Montreal music critic Claude Gingras described Karina Gauvin.
Baroque Masterpieces - collection of Baroque music in the best performance in the company Sony BMG DHM Artenova. One of the best collections of Baroque music! The greatest works - the legendary performance! Baroque music is a style of European classical music in the period from about 1600 to 1750. The Baroque era follows the Renaissance and the Classical period precedes. The main in this music was an expression of emotions. Baroque music - this violence and ecstasy, in contrast to the confidence and independence of the Renaissance.
Vincent Peirani is a jazz musician who is equally at home in world music, or classical music, chanson or pop. Yet what the listener will hear from his new album is that he has transformed the accordion into the baddest of rock 'n' roll axes. On “Night Walker” the Frenchman shines. His quintet with extensive experience of playing together produces fiery Led Zeppelin covers and has a sound that not only crosses genres but is also completely unique.
Peter Holman is a conductor known particularly for his interpretations of post-Renaissance English music, but he has also received acclaim for his performances of the works of European masters of the Baroque period, including Handel, Telemann, Vivaldi, and Monteverdi. He has recorded extensively for the English label Hyperion and has established parallel careers as a harpsichordist, organist, teacher (Royal Academy of Music and Colchester Institute), and music journalist.