After returning to the U.S. from London, where he fronted the blues band Mainline, Rick James cut one album with White Cane before he turned to his own solo venture. By 1977, he'd begun working with the Stone City Band, emerging at the end of the year with an album's worth of delicious funk-rock fusion. Released in spring 1978, Come Get It! was a triumphant debut, truly the sum of all that had gone before, at the same time as unleashing the rudiments of what would become not only his trademark sound, but also his mantra, his manifesto – his self proclaimed punk-funk.
Rick James' second album, Bustin' Out of L Seven, maintained his status among R&B fans, almost topping the LP chart and spawning hits in the title track, "High on Your Love Suite," and "Fool on the Street," though none of them matched the popularity of the debut album's "You and I" or "Mary Jane." James managed an effective amalgam of recent R&B big-band styles, from Sly & the Family Stone to Earth, Wind & Fire and Funkadelic, overlaying the result with his jeeringly rendered sex-and-drugs philosophy. What was missing this time was a real pop crossover – if Come Get It! had suggested he could have the pop success of Earth, Wind & Fire, Bustin' Out of L Seven threatened that his work would find as restricted an audience as Funkadelic, and without the critical cachet.
Fire It Up is the third album by American musician Rick James, released on October 16, 1979, on the Motown sub-label Gordy Records. This album was certified gold by the RIAA, and between 1978 and 1982 was a period where Rick James established himself as the historical bridge between P-Funk and Prince. Fire It Up was released on CD for the first time in 2010, by Universal Records. This item soon went Out Of Print and has become a much sought after and very rare item for fans of Rick James and funk in general.
When Rick James died of a heart attack on August 6, 2004 at the relatively young age of 56, some of his admirers were surprised that the funk/soul icon lived as long as he did. Saying that James, who spent a considerable amount of time in the fastest stretches of the fast lane, subjected his body to extensive abuse over the years would be an understatement. Regardless, James was a major talent – some of the most talented musicians are also among the most self-destructive – and his die-hard fans never quit hoping that he would eventually recapture the commercial and creative success he enjoyed during his late-'70s/early-'80s heyday. Recorded in 2003 and 2004 and released posthumously in May 2007, Deeper Still ended up being James' swan song.