Satanae

One of the more worthy black metal releases of the early '90s was Moonspell's Under the Moonspell, a five-track EP that signaled to many extreme metal fans that Portugal had birthed their own extreme metal band. With the release becoming increasingly difficult to find in intervening years, the Moonspell lads decided to celebrate the EP's 13-year release anniversary by re-recording it, resulting in the release of 2007's Under Satanae. But this proves to be a "new and improved" version of the group's early classic, as re-recordings of other rare tracks from before their 1995 full-length, Wolfheart, are included as well. While tracks such as "Tenebrarum Oratorium" and the beautifully titled "Goat on Fire" sound rather run of the mill by 2007 standards, keep in mind that when these tracks were first released, there was certainly not an overabundance of extreme metal bands that sounded like this…

The music on this recording was written by three of the great composers of the Baroque era and is undoubtedly of the highest quality. As a universal form of expression, music can overcome the boundaries of time, place and language. It has the unique power to speak to us, despite our distance from the time of its creation. Music can also permeate many a spiritual text, which seems to be far removed from our modern secular world, with emotional power and immediacy. If this happens, as here, with excellent interpreters such as the soprano Griet de Geyter and the ensemble Il gardellino, then this effect is intensified to a unique musical enjoyment.

Strigoii is a grim medieval Vampyric Black Metal entity created in the year of our master, 2018.Musically it is dark, majestic and otherworldly, yet stricken with an undead lament, and lyrically it is a celebration between the metaphysical conceptualization of the nature of the Vampiric Spirit; the idea of survival beyond physical death and our deepest predatory instincts. The unity of this Black Alchemical concept, the inverse “Solve and Coagula” begets the Undead. The folklore of Medieval Europe is woven in to act as a stimulant for the imagination, veiling the concepts of the Vampyre and those phantasmagoric realms existing within our darkest dreams.

Once upon a time, goth rock meant a bunch of vampire-looking people playing new wave-y music. However, the times they are a changin', as goth metal has arguably become the most common and popular goth-related music circa the early 21st century. And the proof is in the emergence of such acts as Moonspell. A certified sensation back home in Portugal (where their albums reach the top of the charts, and they even won an MTV Europe award for Best Portuguese Act), the quintet has certainly carved a niche for themselves, and continue to riff and growl away on their 2008 release, Night Eternal. If you were to erase the goth keyboards from the proceedings, Moonspell would sound like your average extreme metal band. But with the keys added, Moonspell are one of the few bands of the genre that is not entirely one-dimensional…

O Negative, Tiamat, Sisters of Mercy, and sixth album The Antidote finds the Portuguese group existing in its own unique, creative headspace. Bolstered by a thoroughly enveloping production - which carefully places lush, gothic textures into harsh, metallic realms, and vice versa - and accomplished, memorable songwriting, The Antidote is easily the group's most ambitious effort. The band utilizes a rich sonic palette that smartly balances melodic hooks, keyboard textures and an impressively strong foundation of steely guitar riffs; moody, rousing numbers ("Capricorn at Her Feet," "Crystal Gazing," "The Southern Deathstyle") mingle with lengthy, spacious excursions ("Lunar Still," "As We Eternally Sleep on It") and exemplary fist-pumping anthems that toe the line between the black/death metal grit and commercial sheen ("In and Above Men," "A Walk on the Darkside")…

Moonspell continues to delve into slow, Gothic doom-metal on Sin/Pecado, with occasional samples and electronic percussion popping up in the atmospheric arrangements. Still, the band has not yet quite recaptured the spark of their debut, Wolfheart.
2019 Deluxe version with 3 bonus tracks.

Moonspell's sixth full-length release again finds the long-running Portuguese quintet producing heavily atmospheric metal that owes as much to Sisters of Mercy as to Black Sabbath. The songs on Darkness and Hope generally emphasize the overall mood over songwriting hooks, but there are some memorable moments, such as the streamlined "Devilred" and the darkly metallic "Rapaces." Splitting the difference between Type O Negative and Tiamat, Moonspell achieves both threatening ferocity and stately grace.