Schubert Symphonies

Conductor Wilhelm Furtwangler already enjoyed a worldwide legendary standing during his lifetime - he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwangler is still an icon and his work has become an integral part ofthe music scene.

Schubert's final four quartets represent the last flowering of the Viennese Classical style. Their melodic generosity has always appealed to music lovers (and quartet players), though in the hands of some less disciplined ensembles the music can tend to sprawl. That's never a danger with these warm, impulsive performances, which allow the music's natural lyricism to flow vigorously without ever becoming sticky or sentimental. Schubert's String Quartet No. 12 is the single movement also known as the Quartettensatz ("Quartet Movement"), but the other three quartets are full-length, indeed epic works that bear comparison with the late works of Beethoven in musical richness and profundity.

The disc, well recorded in 1987, is a very good performance of both the symphony and the overture. The symphony makes use of corrections made by studying the manuscript scores specially for this set of recordings. Only the first three symphonies had previously been checked in this way. In reality the differences are relatively small and concern various accenting marks and a few inserted bars. The most interesting potentially is the time signature for the slow movement which Schubert had marked as 2/2 time rather than the printed 4/4 time. This implies a faster pace with two bats per bar rather than four.

This is the fourth release by the BBC Philharmonic under its Chief Conductor, Juanjo Mena, and the discography is going from strength to strength – their recording of orchestral works by Falla was ‘Recording on the Month’ in BBC Music. They are joined on this recording by the bassoonist Karen Geoghegan.