A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not much – and although guitar is sometimes used strongly, it's often not as noisy as in later live sides. Instead, the whole group gels together beautifully – an unlikely assortment of players that includes Gary Bartz and Steve Grossman on reeds, John McLaughlin on guitar, Herbie Hancock on keyboards, Hermeto Pascoal on percussion, Dave Holland on bass, and Jack DeJohnette on drums – all given new focus, direction, and inspiration by Miles!
With a mixture of members from Vanilla Fudge, Mitch Ryder and the Detroit Wheels, and the Amboy Dukes, it's hard to believe that Cactus didn't really succeed in their time. Often derided for being second-rate boogie rock, the band simply did what it did, and part of the allure of the style is its sloppy, second-rate nature. This 1971 release may not see the band at their peak, but it surely showcases the occasionally thundering rhythm section of Tim Bogert and Carmine Appice. Why a song like "Token Chokin'" was never a hit and why it has yet to be embraced by the classic rock-loving public is a complete mystery. The song is some of the most heels-up, thundering, so-brainless-it's-genius rock that has ever been to tape. It's complete with big guitars, big sing-alongs, and a bass-and-drum combo that could knock out windows…
Freak Out from Knittelfeld was formed in the late 1960s by Robert Musenbichler on guitar and vocals, Mike Gärtner on bass and occasional saxophone, and Karl-Michael "Charly" Dienes on drums. Their live LP was recorded in front of around 1000 people in the auditorium of the Klagenfurt Concert Hall, 24 April 1971. During the two-hour gig, they played mainly well-known cover versions from Santana, Blodwyn Pig, East of Eden, John Mayall, Spirit, Keef Hartley Band, Rolling Stones, Frank Zappa, etc. Nine of these eighteen tracks were selected for the LP, which appeared with a circulation of a few hundred copies as "Life".
This collection retailed for $100.00 when first released in 1993. There has never been a better collection of Rock Classics - probably never will be, what with the difficulties of gaining clearances and gathering the best materials. The seven CDs are divided into the years covered: 1967-69; 1969-70; 1971-73; 1973-77; 1977-82; 1982-86; 1986-92. Enclosed in each CD is a booklet with a capsule history of the music and a complete artist/title list. All of which contain from 15 to 17 tracks, for a total of 110.
Pianist/singer Sunnyland Slim (1909-1995) was a major force in Chicago blues for over 50 years. A professional by the late '20s, he was based in Memphis for a time before moving to Chicago in 1939. A powerful pianist and an expressive singer, he recorded for many labels through the years, having his own company (Airway Records) in the 1970s. She Got a Thing Goin' On reissues the best selections from those dates. In addition to numbers that showcase Slim's vocals, he is heard backing singers Zora Young, Bonnie Lee, and Big Time Sarah, all of whom sound inspired by his presence. Teamed with top-notch musicians, the pianist plays with the energy of someone half his age. In addition, there are two selections from a 1979 date with Kansas City Red and Honeyboy Edwards that was released on this CD for the first time. Highly recommended as a fine retrospective from the later years of Sunnyland Slim.
Beauregarde (off-stage name Larry Pitchford,[1] born April 1936) is a former pro wrestler and musician from Portland, Oregon in the United States… ~ wiki
This expansive box set from Rhino features all nine of the Doobie Brothers' studio albums from their original 1970s Warner Bros. run plus their 1983 Farewell Tour live album. Beginning with their 1971 self-titled debut, when the band was fronted by founding singer/guitarist Tom Johnston, through 1980's Michael McDonald-led One Step Closer, it covers their two major eras as they slowly shifted from boogie rock bar band into the soulful soft rock giants of their later years. Hits like "China Grove," "Black Water," "Takin' It to the Streets," and "What a Fool Believes" are all here as well as their first live album, which mostly features their late-period lineup with the addition of a couple of special Johnston appearances that serve as an end cap to their career. Although the Doobies would reunite again in the late '80s, their original Warner Bros. years remain their best-known period.