Simple Minds

Universal Music will reissue Simple Minds‘ 1989 album Street Fighting Years in March across various formats, including a four-CD super deluxe edition box set. Produced by Trevor Horn and Stephen Lipson (fresh from their work on Paul McCartney’s Flowers in the Dirt) the record ended up sounding very different from the previous album (1985’s Once Upon A Time).

Silver Box is mostly made up of previously unreleased demos, radio & TV sessions and various live recordings from 1979 to 1995… and is also including—as a final bonus disc—their genuine twelfth studio album (of original material), Our Secrets Are the Same, originally recorded between April and June 1999 and originally planned to be released on its own in early 2000 but delayed many times and even cancelled until its final inclusion in this very box set…

Covering the singles released from September of 1985 to June of 1987, the third five-disc installment of the Themes boxes covers the Once Upon a Time era and stretches out to include the live-version single of "Promised You a Miracle" that was issued in support of 1987's Live in the City of Light…

Simple Minds signed to Chrysalis for Néapolis and saw the return of Derek Forbes on bass. Néapolis signals a return to form while remaining on the cutting edge. Unlike U2, the band they have been most often compared to, Simple Minds have not lost themselves in techno beats and processed samples. Longtime fans will embrace this album; from the opening track, "Song for the Tribes," through the two singles, "Glitterball" and "War Babies," one immediately recognizes that classic sound. Other standout tracks include "Tears of a Guy," "Superman V Supersoul," and a potential third single, "Killing Andy Warhol." The biggest surprise on the album is "Androgyny," a welcomed instrumental in the tradition of their earlier works (see Empires and Dance, Sister Feelings Call, and Sons and Fascination). It's nice to know that in the 1990s, one classic new wave band hasn't forgotten what it is all about. Unfortunately, Chrysalis felt there was not enough of a following outside of Europe to justify the worldwide release of the album.