Composer and bassist Charles Mingus’s legendary status is undeniable. Tributes to his genius tend to come up short because there isn’t a way to improve what he has already wrought. One element of Mingus’s vision that tends to get overlooked was his ability to create singular ensembles of strong, individual performers to play his music, ensembles that have gone down in history as some of the greatest of all time.
2005's Playing the Angel proved to be one of Depeche Mode's strongest albums – the combination of Ben Hillier's production, the emergence of David Gahan as a songwriter following his initial solo effort and a clutch of striking songs that openly embraced arena-level bombast following the much more subtle Exciter resulted in wide praise and a well-received tour. As a result – especially given the return of Hillier, the first producer to work on two Depeche albums in a row since Flood's heyday with Violator and Songs of Faith and Devotion – Sounds of the Universe was initially suspected of being Playing the Angel redux, something the swaggering lead single "Wrong" didn't undercut at all.
Though it's six volumes in and counting, Compost's Future Sounds of Jazz series just keeps on shining. Recruiting a cast of varied standout producers - Ian O'Brien, Fauna Flash, Tosca, Victor Simonelli, United Future Organization, Beatless - helps immensely, as does the sheer variety of productions. All are nominally jazz-based, but vary from downtempo to trip-hop to drum'n'bass with no lack of flow.
Here is the place to find peaceful relaxation, a place to connect to the music of nature and the natural world, and to reconnect (using recorded sound and soundscapes) with the slower natural pace and tempo of Life.
Compost is one of the most prolific, highly acclaimed and in demand indie labels in Europe. Compost and it's sublabels Compost Black Label and Drumpoet Community standing for quality music, a sophisticated mixture of electrifying disco, house, techno, soul, jazz and a little bit of pop.
Most music does not come out of nowhere. Arising and appearing in a pre-existing system of influences, cross-references, roots, memories and desires, it either directly points towards a heritage or into the future. Mark Barrott’s Nature Sounds of the Balearics is a bit of both. The mastermind behind the International Feel label and the Sketches from an Island series presents an intermediary. Technically, it’s his departure from a software based workflow and onto (or back to) a hardware driven creative point of view.