Steve+hackett

For the live recordings of his acclaimed album To Watch The Storms, Steve Hackett put together a new band. Already before its release in 2003 he had performed a few pieces on a tour of South America, including the breathtaking "Mechanical Bride" and the enchanting and wonderful "Serpentine Song".

Steve Hackett has earned the reputation of being one of Britain's finest composers and guitarists. Peter Gabriel invited him to join Genesis in 1970 and his involvement led to 8 albums. His complex and distinctive playing contributed heavily to their early success, developing an elegance and sophistication which have become his trademark and he has since achieved consistent solo success internationally.
Hackett's newest symphonic progressive rock albums may be one of his best. The music here is basically a terrific amalgamation of his entire careers' work, and it all works so wonderfully together and still seems fresh after all these years. Some of the tracks create powerful symphonic and almost new-aged dream soundscapes (Fire on the Moon), some are Mediterranean/Spanish influenced songs with beautiful classical guitar…

Though you will see Till We Have Faces often mentioned as the first rock album to draw from world music influences, that's not quite true. Santana, John McLaughlin, Os Mutantes, the Police, Jade Warrior, and others were doing it long before. That said, the album was done before Paul Simon ushered it in as a trend with Graceland. Recorded in Rio de Janeiro and mixed in London, it's a step away from the progressive rock he'd become recognized for and is a mostly successful venture. A couterie of Latin percussionists flesh out the almost all Brazilian band that graces the album, adding layers of complex rhythms. These rhythms are the core of the album and make such songs as "A Doll That's Made in Japan" and "What's My Name" more exotic and interesting; they creatively juxtapose Oriental and South American styles…