The Queen

When we last left Harry Christophers and his cracker jack a cappella chorus the Sixteen, they were making fabulous recordings for the wonderful Collins label. But that was back in the halcyon days of the CD boom, those far off times called the '90s, when everyone with a little capital and a lot of taste could start a record label. Back in the '90s, Christophers and the Sixteen made more than a dozen wonderful recordings for Collins, among them one of the most moving recordings of Henry Purcell's Music for the Funeral of Queen Mary ever made. But the digital boom went bust and so did Collins, taking with it all of Christophers and the Sixteen's discs.

Henry Purcell - Love's Goddess Sure was Blind: The Complete Funeral Music for Queen Mary
The Sixteen / The Symphony of Harmony and Invention / Harry Christophers
EAC+LOG+CUE | FLAC (tracks): 330 MB | Artwork: 36 MB | 5% Recovery Info
Label/Cat#: Coro # COR16024 | Country/Year: UK 2004
Genre: Classical | Style: Baroque, Vocal, Sacred

"…But now, in the middle of the 2000s, they're back, and they've brought with them an even more wonderful recording of Purcell's funeral music. It's more wonderful because, good as the Collins recording sounded, this Coro recording sounds even better: deeper, richer, warmer, and even more detailed. It's more wonderful because, good as the earlier performances were, these performances sound even better: more passionate, more precise, and even more powerful. And it's more wonderful because while this is exactly the same recording that appeared on Collins, it somehow sounds more wonderful released on the Coro label. How this is possible is impossible to know, but that it does is indisputable. If you don't have Harry Christophers and the Sixteen's Music for the Funeral of Queen Mary, here it is again. This time, don't miss it."

Following their hugely successful 32 date European arena tour Queen plus Paul Rodgers release this double CD capturing the magic of their performance. Featured alongside some of the most famous Queen songs are Bad Company and Free classics such as "All Right Now" and "Can't Get Enough"…

Few bands embodied the pure excess of the '70s like Queen. Embracing the exaggerated pomp of progressive rock and heavy metal, as well as vaudevillian music hall, the British quartet delved deeply into camp and bombast, creating a huge, mock-operatic sound with layered guitars and overdubbed vocals. Queen's music was a bizarre yet highly accessible fusion of the macho and the fey. For years, their albums boasted the motto "no synthesizers were used on this record," signaling their allegiance with the legions of post-Led Zeppelin hard rock bands. In The Many Faces of Queen we will delve into the inner world of the legendary British foursome including their early recordings, collaborations and their fantastic repertoire. With remastered sound and fantastic artwork, The Many Faces Of Queen is an essential addition to your rock music collection.

Essentially, the 2007 release Queen Rock Montreal is the long-delayed official release of the soundtrack to the We Will Rock You concert video, capturing highlights from the group's two-night stand at the Montreal Forum on November 24 and 25, 1981. This double-disc contains the full set, including the previously unreleased "Flash" and "The Hero," and it benefits from the ebb and flow of a full concert, giving a broader, fuller sense of Queen at the peak of their power, which they were close to being at the time this was recorded…

Sons of Kemet - Your Queen is a Reptile (2018) {Impulse! 00602567364351} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 346 Mb | MP3 @320 -> 132 Mb
Full Artwork @ 600 dpi (jpg) -> 54 Mb | 5% repair rar
© 2018 Impulse! / Verve / Universal | 00602567364351
Jazz / Avant-Garde Jazz / Modern Creative / African Jazz / Caribbean Traditions

Your Queen Is a Reptile signals the arrival of Caribbean-born, London-based saxophonist/clarinetist Shabaka Hutchings' Sons of Kemet on Impulse! The band's unusual lineup – saxophone/clarinet, tuba, and two or three drummers – fits with the historic label's revolutionary tradition forged by John and Alice Coltrane, Pharoah Sanders, etc. Hutchings is no mere descendent of his heroes, however. Over nine years he's amassed dozens of musical credits (including work with Mulatu Astatke and Yusef Kamaal) and leads three different bands: Sons of Kemet, Shabaka and the Ancestors, and the electro space-jazz outfit Comet Is Coming.

The soundtrack to the Queen biopic will please both casuals and obsessives. For the former, lots of hits: “Crazy Little Thing Called Love,” “Under Pressure,” and, of course, the grandiose title track among them. And for the latter, Queen struts out rare live tracks and fresh updates to classics. “We Will Rock You” merges a studio and live performance, “Don’t Stop Me Now” features newly recorded guitar parts from Brian May. The surviving members of Queen also recorded their very own arrangement of the famous 20th Century Fox theme. But the biggest jewel in the crown is the addition of five songs from the band’s dramatic 1985 Live Aid performance—a faithful re-creation of which serves as the movie's climax—now available for the first time. Ayyy-oh!