The Invitations

Money Mark - Mark's Keyboard Repair (1995) {Pinto/Mo' Wax/ffrr} **[RE-UP]**

Money Mark - Mark's Keyboard Repair (1995) {Pinto/Mo' Wax/ffrr}
EAC Rip | FLAC with CUE and log | scans | 324 mb
MP3 CBR 320kbps | RAR | 163 mb
Genre: alternative, alternative pop, indie pop

Mark's Keyboard Repair is the 1995 debut album by Mark Ramos-Nishita, better known as Keyboard Money Mark or Money Mark. These recordings from previously self-released EP's is what lead him to becoming a member of the Beastie Boys. This was released on Money Mark's own Pinto label, distributed by Mo' Wax, which was distributed by ffrr

Laura Cox Band - Hard Blues Shot (2017)  Music

Posted by SERTiL at July 29, 2017
Laura Cox Band - Hard Blues Shot (2017)

Laura Cox Band - Hard Blues Shot
EAC Rip | FLAC (tracks)+cue, log, m3u, scans | 42:36 min | 395 MB
Label: Verycords ‎– 6022046163 | Tracks: 10 | Rls.date: 2017
Blues Rock, Hard Rock

Laura Cox started posting her guitar solos on Youtube in 2008, and has since become one of the best-known girl guitar players on Internet. Laura is a rare blend of twenty-first century talent and traditional musical values, and she was among the first to work using 2.0 tools, mainly Youtube.
Brian Tyler - Now You See Me (Complete Motion Picture Score) (2013)

Brian Tyler - Now You See Me (Complete Motion Picture Score) (2013)
MP3 CBR 320kbps | 01:21:22 | 246.93 Mb | Covers included
Score | Country: USA | Label: Glassnote Entertainment Group LLC

Now You See Me is a 2013 American heist thriller film directed by Louis Leterrier and written by Ed Solomon, Boaz Yakin and Edward Ricourt. The film features an ensemble cast of Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Mélanie Laurent, Isla Fisher, Dave Franco, Michael Caine, and Morgan Freeman. The plot follows an FBI agent and an Interpol detective who track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money.

Helge Schneider - Complete Works 1987 - 2009 - (Audio only)  Music

Posted by mxlabs at Oct. 18, 2009
Helge Schneider - Complete Works 1987 - 2009 - (Audio only)

Helge Schneider - Complete Works 1987 - 2009 - (Audio only)
audioBooks, Music, Comedy + 2 video docus | mp3 format | 23 Albums | rs


Helge Schneider, 1955 born in Germany, Mülheim an der Ruhr, Comedian, Composer, Musician, Entertainer, Book- and Scriptwriter (Film/Stage play), Actor, Film Director.

He is one (if not the only one) of Germany´s funniest Entertainers. I personally love his improvised Comedy and Music, because it is more than unique and 100 % self made. In the beginning of Helge`s glorious career he started as a Jazz Musician and Entertainer. The song "Katzenklo" which i don´t like that much was his great break trough and over night he became famous and started to follow invitations to Germany`s Late Night Shows, like Schmitteinander etc..

From the very first moment in public Entertainment he confused the Audience including Moderators by presenting himself in a dressing gown, or else and made unusual performances no one ever expected - (like in the old Happenings - everything is possible). Not only verbal Humor in combination with Music is his great advantage, its is also the way he acts like a person in the limelight. Spontaneous dancing, funny mimic and gesture…(difficult to explain - you have to see it). This guy plays an enormous amount of different instruments, sometimes simultaneous. - interested ?! maybe you start with the two documentaries in this post.
Juan el Flaco - Suena Flamenco (2014) {La Voz del Flamenco LVF1072}

Juan el Flaco - Suena Flamenco (2014) {La Voz del Flamenco LVF1072}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 167 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 2014 La Voz del Flamenco | LVF1072
Flamenco / World Music / Vocal / Guitar / Latin / Western European Traditions

Juan Rodriguez known as Juan El Flaco is a flamenco guitarist born in 1973 in France (Lyon currently resides) to a Gypsy family (The Marians and Los Bolecos), originally from Almeria. Self-taught guitarist, he has performed with leading figures of modern flamenco and Potito, Guadiana, Enrique The Piculabe, David de Jacoba, Saul Quiroz, Rafiki Madrid, Miguel El Rubio, Pack, Piranha, Manolo Franco, Vicente Amigo, Esperanza Fernandez, Chicuelo Miguel Poveda, Paloma Fantova, Jose Maya, Belen Lopez, Karime Amaya, … and their performances have been featured on numerous European stages (Switzerland, Italy, Hungary, Germany, France, ….).

L'Arte Del Mondo - Johannes Matthias Sperger: Symphonies (2016)  Music

Posted by SERTiL at March 22, 2017
L'Arte Del Mondo - Johannes Matthias Sperger: Symphonies (2016)

L'Arte Del Mondo - Johannes Matthias Sperger: Symphonies
Classical | WEB FLAC (tracks) & d. booklet | 62:19 min | 281 MB
Label: Deutsche Harmonia Mundi | Tracks: 12 | Rls.date: 2016

Johannes Matthias Sperger was born in Feldsberg in 1750 and trained in Vienna as a contrabassist and composer from 1767. He worked from 1777 in the Hofkapelle of the Archbishop of Pressburg. From 1778 he was also a member in the Wiener Tonkünstlersozietät, in whose concerts he appeared several times with his own works and as soloist. From 1783 to 1786, Sperger was a member of the Hofkapelle of count Ludwig von Erdödy in Kohfidisch. From 1789 he was employed as first contrabassist of the Mecklenburg Schwerin Hofkapelle in Ludwigslust.
Academia Allegro Vivo & Vahid Khadem-Missagh - Change over time (2025)

Academia Allegro Vivo & Vahid Khadem-Missagh - Change over time (2025)
WEB FLAC (Tracks) 492 MB | Cover | 01:39:33 | MP3 CBR 320 kbps | 229 MB
Classical | Label: Allegro Vivo Records

Vahid Khadem-Missagh took over as artistic director of the Academia Allegro Vivo on the renowned festival orchestra’s fortieth anniversary, a generational shift that has found expression both in the orchestra’s membership and in the design of its programmes.
Weser-Renaissance Bremen & Manfred Cordes - Knüpfer: Veni Sancte Spiritus (2017)

Weser-Renaissance Bremen & Manfred Cordes - Knüpfer: Veni Sancte Spiritus
Classical, Sacred, Choral | WEB FLAC (tracks) & d. booklet | 71:00 min | 357 MB
Label: CPO | Tracks: 06 | Rls.date: 2017

In 1657 Sebastian Knüpfer succeeded Tobias Michael as the choirmaster at the St. Thomas School in Leipzig. As his almost twenty years in this post would demonstrate, he was the right man for the job. His fame quickly spread and also brought him invitations from other cities, where he was able to demonstrate his command of the musical craft. A circle of respected musicians gathered around him and earned Leipzig renown as an important music center.
Vienna Art Orchestra - Innocence of Cliches (1990) {2CD Amadeo ‎841 646-2}

Vienna Art Orchestra - Innocence of Clichés (1990) {2CD Amadeo ‎841 646-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 548 Mb | MP3 @320 -> 234 Mb
Full Artwork @ 600 dpi (jpg) -> 70 Mb | 5% repair rar
© 1990 Amadeo | 841 646-2
Jazz / Modern Big Band / Experimental Big Band / Progressive Jazz

In the jazz world, Vienna is about as far from New York's Lincoln Center as you can get. It follows that Mathias Rüegg's Vienna Art Orchestra has about as much in common with Wynton Marsalis' Lincoln Center big band as a Sacher torte has with a Hostess Cup Cake; while they share some ingredients, the Austrian product satisfies on a more profound level. By the turn of the century, the Lincoln Center paradigm defined the jazz big band as a finished concept – locked into the past, serving mostly as a repertory ensemble. The VAO, on the other hand, while hardly ignoring traditional jazz verities, lives in the present and looks to the future.
Vienna Art Orchestra - European Songbook (1993) {GIG Records GIG 660 177}

Vienna Art Orchestra - European Songbook (1993) {GIG Records GIG 660 177}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 142 Mb
Full Artwork @ 600 dpi (jpg) -> 206 Mb | 5% repair rar
© 1993 GIG Records | GIG 660 177
Jazz / Modern Big Band / Experimental Big Band / Progressive Jazz

In the jazz world, Vienna is about as far from New York's Lincoln Center as you can get. It follows that Mathias Rüegg's Vienna Art Orchestra has about as much in common with Wynton Marsalis' Lincoln Center big band as a Sacher torte has with a Hostess Cup Cake; while they share some ingredients, the Austrian product satisfies on a more profound level. By the turn of the century, the Lincoln Center paradigm defined the jazz big band as a finished concept – locked into the past, serving mostly as a repertory ensemble. The VAO, on the other hand, while hardly ignoring traditional jazz verities, lives in the present and looks to the future.