V.a. Reggae Grooves (2000)

Your attention is invited to a collection of albums of the now legendary Putumayo World Music label.
Each album is supplied with a colorful booklet containing a lot of interesting information about the music styles within the chosen themes for an album (the names of the albums are always bright - they speak for themselves), and also about the musicians-performers.

To lovers of Brazilian jazz, the pairing of these two legends of the genre amounts to something of a musical orgasm. The only serious misfire isn't really that bad, just a bit incongruous. Why would two consummate Brazilian ambassadors choose to do their one English lyric song – George Harrison's "Something" – as a reggae tune? The groove is silly, but actually some of the guitar work is fun. Just as when Ivan Lins sings in his native Portuguese rather than stilted English, this tandem is most at home conveying emotions that go beyond simple semantics, usually with Gil writing the music and Nascimento the lyrics. "Sebastian" is a moody bass-and-drum driven power ballad which functions as a showcase to their raspy vocals. The romantic, accordion-enhanced "Duas Sanfonas" would be more effective without the guest vocals by Sandy and Junior.

Across four discs and 87 songs, The Reggae Box tells the tale of Jamaica's modern social and political history through a well-rounded survey of the island nation's popular music.

Jazz purists may turn up the nose at this jazz-reggae summit meeting, but that's their loss. It's not that they wouldn't have the right to be suspicious - experiments in jazz-reggae fusion do not have a distinguished history. But the combination of Jamaican-born jazz pianist Monty Alexander and reggae godfathers Sly Dunbar and Robbie Shakespeare works beautifully here for a number of reasons: first of all, Alexander is a gifted melodist with an unerring sense of groove (not always a given with jazz players), and second of all, Sly and Robbie emancipated themselves long ago from reggae's rhythmic strictures, so there's lots of variety on this album…

The Columbia label finally answers Peter Tosh fans' prayers with this seminal three-CD box set. Working backwards, disc three succinctly sums up Tosh's post-Wailers career, honing in on the Legalize It, Equal Rights, and Bush Doctor sets, tossing in a couple of numbers from Wanted Dread & Alive and the title track from the Grammy-winning No Nuclear War album as well. Nothing new for aficionados here, but a decent roundup nonetheless. Disc two is exclusively comprised of live performances, drawn from a variety of different shows. Again, it doesn't add much to what's already available; however, by leaving in Tosh's between-song patter, for the first time fans can experience or relive the true fire and fury of his stage presence. Which leaves the first disc, and the one that alone makes the set worth the price of admission.

This disc brings together Marcus Garvey, Burning Spear's debut album, with its dub counterpart, entitled Garvey's Ghost. The resulting package is one of the pillars of roots reggae, an album packed with thick, heavy grooves and uncompromising religious and political messages. Although this Mango reissue has been criticized as sonically weaker than the Jamaican original, it will sound plenty dread to all but the most critical ears. Songs like the title track, "Slavery Days" and "Give Me" (with its remarkably well-integrated flute part) all tremble with the intensity of Winston Rodney's dark voice, and some of the dub versions (in particular "Black Wa-Da-Da," based on "The Invasion") number among the most frightening ever created. There are no sing-along melodies here; Burning Spear has always been more about setting up a relentless groove and using it to get the words across. But that groove is glorious, and it's more than sufficient to support the significant weight of the lyrics.

2012's Original Album Series offers five Sugar Ray albums from the peak of their career – 1995 to 2003 – for a budget price. Packaging is basic to save costs, with each album in a paper sleeve that replicates the artwork. Obviously, this is a singles band, but true Sugar Ray fans will be interested to in watching the evolution from the funk-metal of Lemonade and Brownies to the band's first big hit, "Fly," off of Floored. McGrath hit his stride as pop singer with 14:59 and Sugar Ray, which boasted most of the group's biggest songs, and In the Pursuit of Leisure is also worth having.