Vinyl Record Collection Log Book

Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.

NEKTAR is probably the most German-like of the Seventies British bands, a fame that owes a lot to the town in which this band was founded (Hamburg) and to their stylistic approach (Assimilated to Krautrock). NEKTAR was formed in 1969 by Allan FREEMAN (keyboards & vocals), Roye ALBRIGHTON (guitars & vocals), Derek MOORE (bass, Mellotron & vocals) and Ron HOWDEN (drums).

Moondog - Instrumental Music by Louis Hardin (1978) {LP - Musical Heritage Society MHS3803} (Released on VINYL but not CD)
FLAC (tracks) - 16bit/48kHz - VINYL LP RIP -> 250 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (jpg) -> 56 Mb | 5% repair rar
© 1978 Musical Heritage Society | MHS 3803
Classical / Jazz / Avant-Garde / Modern Classical / Minimal / Experimental / Third Stream

LOUIS T. HARDIN (MOONDOG). In the beginning was tonality. Then came atonality which was revolutionary. Tonality continued in folk music and popular music, in spite of atonality, but in the case of serious composers, it was taboo to even think of writing tonal on pain of being ignored and unperformed. I persisted in writing tonal music, and by opposing the atonal revolutionaries, I became a counter-revolutionary. I maintained the tonal tradition, unaware that the founder of atonality himself had repudiated the 12-tone System, which he had conceived. But that was not the end of atonality, for even though its founder gave it up, his pupils did not, and so, for the time being, at least, it survives. As it was in the beginning, is now, and ever shall be, Tonality!

When Al Kent launched the Million Dollar Disco label back in the '90s "Disco House" was all the rage. A life spent hoarding rare soul and disco records, a keen ear for a sample and a few years of DJing already under his belt stood him in good stead when it came to making music. Inspired by labels like Azuli with their Chocolate Fudge and Disco Elements EPs he made a load of tracks by sticking house drums on top of disco samples and released somewhere in the region of twenty 12" singles, many of which found their way into top DJs' charts. Despite encouraging signs with tracks being signed to high profile labels like Z Records, Defected Hed Kandi and even his beloved Azuli, the Disco House formula soon ran its course and Al looked for a fresh challenge. So he recorded an orchestra instead. "Better Days" by the Million Dollar Orchestra was released as a double album by BBE in 2008, having taken the best part of two years to make. Not many producers would have the flair to go from cutting up samples to recording a 26 piece band, but Al did it with aplomb.

A sequel of sorts to ABKCO’s three boxes of singles replicas from the mid-2000s, Universal’s The Singles: 1971-2006 is a gargantuan 45-disc box set that offers single replicas of every 45 the Rolling Stones released between Sticky Fingers and A Bigger Bang. Singles that saw release over multiple formats, whether they’re 12" dance singles or multi-format CD singles, see their various B-sides combined onto one CD, resulting in a whopping total of 173 tracks, 80 of which are “not currently available on official release.” This is a true statement but it greatly overestimates the actual number of genuine rarities here: most of these cuts are dubs, remixes, and extended versions, with only a small handful of B-sides being non-LP cuts…

The primary impetus behind this ambitious 12-disc box set is to gather all nine of the Grateful Dead's Warner Brothers titles. However, the staggeringly high quotient of previously unissued bonus material rivals – and at times exceeds – the content of those original albums. The Golden Road (1965-1973) truly has something – and usually a lot of it – for every degree of Deadhead…

The Island Years is a new comprehensive anthology featuring the work British rock band Spooky Tooth who released seven studio albums between 1968 and 1974…

The J. Geils Band was one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, The J. Geils Band was a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio.