Wild 90 (1968)

In less than 24 months, Taj Mahal (guitars/vocals/banjo/harmonica) had issued the equivalent of four respective long-players. The electric Giant Step was released alongside the acoustic and decidedly rural De Ole Folks at Home. The nine cuts on Giant Step feature support from the instrumental trio of Jesse Ed Davis (guitar/keyboards), Gary Gilmore (bass), and Chuck Blackwell (drums). They back Taj Mahal on a wide selection of covers ranging from Carole King and Gerry Goffin's "Take a Giant Step" to the upbeat and soulful reading of the Huddie Ledbetter blues staple "Keep Your Hands Off Her." The arrangements are unique and offer the artist's distinctive approach. Nowhere is this more evident than the practically jovial midtempo "Good Morning Little Schoolgirl" or the freewheeling abandon brought to the 18-wheeler anthem "Six Days on the Road"…

It is a hefty box in every sense: 13 CDs, supplemented with two DVDs, accompanied by a gorgeous hardcover book and a variety of tchotchkes, including a poster that traces the twisted family trees and time lines of the band and, just as helpfully, replicas of legal documents that explain why the group didn't retain rights to its recordings for years…

Where does one begin upon contemplating the vast discography of this master guitarist/lutenist? Well, why not let the artist himself guide you? Bream hand-picked his personal favorites for this 10-album collection, a limited-edition set featuring facsimile LPs with original cover artwork and labels as well as a greatly detailed booklet full of discography notes. His RCA debut The Art of Julian Bream joins his sensational J.S. Bach: Lute Suites, Nos. 1 & 2 , his very popular Romantic Guitar , his famous concert album Julian Bream and John Williams Live and the equally esteemed 20th Century Guitar .

Import 25 CD boxset containing 25 of the finest Jazz albums ever released. Each album is packaged in a card wallet, and the box set includes a 40 page booklet in both English and French. Classic albums included are Miles Davis' Kind of Blue, Dave Brubeck's Time Out, Billie Holiday's Lady in Satin, Nina Simone's Sings the Blues, Erroll Garner's Concert By the Sea, Charlie Parker's Bird and many more!

The J. Geils Band were one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. Geils Band were a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio. In the early '80s, the group tempered its driving rock with some pop, and the makeover paid off with the massive hit single "Centerfold," which stayed at number one for six weeks. By the time the band prepared to record a follow-up, tensions between Justman and Wolf had grown considerably, resulting in Wolf's departure, which quickly led to the band's demise. After working for years to reach the top of the charts, the J. Geils Band couldn't stay there once they finally achieved their goal.