Jimmy McGriff's B-3 sound was always rooted in blues and gospel, and his soloing could be very smooth and polished. But every once in a while, he had to break out of his own soul box and tear it up on a session. The Worm, issued on Solid State Records in 1968, is the very first place he did. This is the first true, all-out funky burner from McGriff, and it sounds very different from most of the other titles on his shelf. Having a band like this helps: trumpeter Blue Mitchell, tenor saxophonist Fats Theus (with Bob Ashton on baritone and Danny Turner on alto), alternating drummers Mel Lewis and Grady Tate, bassist Bob Bushnell, and guitarist Thornel Schwartz were all in their prime in 1968. The title track, written by McGriff, Theus, and producer Sonny Lester, sets the tone for the whole platter.
A schoolteacher arrives in town with the map to a gold mine. The lesbian dance-hall owner schemes to steal the map.
Before becoming a solo act, Linda Ronstadt was the lead singer of the Stone Poneys, an L.A.-based trio with an acoustic folkish sound and strong original material. The band's focal point and greatest asset was Ronstadt's clear, powerful singing. Originally recording in a coffeehouse folk style not far removed from Peter, Paul and Mary, the group rocked up its sound slightly and scored a Top 20 hit with "Different Drum," written by Mike Nesmith of the Monkees, in 1967.
Free were an English rock band formed in London in 1968, best known for their 1970 signature song "All Right Now". They disbanded in 1973 and lead singer Paul Rodgers went on to become a frontman of the band Bad Company along with Simon Kirke on drums. Lead guitarist Paul Kossoff formed Back Street Crawler in 1975, but died from a pulmonary embolism at the age of 25 in 1976. Bassist Andy Fraser formed Sharks…
After years of struggle with Fantasy Records, Vince Guaraldi finally extricated himself from his contract. In 1968, he signed with Warner Bros.' Seven Arts imprint. All three Seven Arts albums and four bonus tracks are included in this double set from Omnivore, representing the final sides Guaraldi cut for a major during his lifetime.
The rock’n’roll music of the mid-1950s encouraged performers to lose their inhibitions, but with the exception of his close friend Screaming Lord Sutch, no one in the UK was wilder or more outrageous than Freddie Fingers Lee. “If I wasn’t crazy when I joined Sutch’s band, I certainly was when I left,” he used to say. Lee was an extrovert rock’n’roll pianist and songwriter whose songs were recorded by Charlie Gracie and Carl Mann and he is best known for his autobiographical composition “One-Eyed Boogie Boy”…