a Patriarch s Vision

There is some grand and characteristically sumptuous music on this record of motets and instrumental pieces that might have been heard during the feast of Christmas in St Mark's or one of the other great churches of Venice round about 1600 or a little later. A strong point in its favour, too, is the unhackneyed choice of programme: the instrumental Sonata pian' e forte, of course, is an old favourite, and the two earlier double-choir motets of Gabrieli, Angelus ad pastores and 0 magnum mysterium, are also relatively familiar; but the three remaining Gabrieli motets, all taken from posthumous publications and among his most elaborate polychoral pieces, are much less often tackled—not surprisingly, since they call for exceptional resources.