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Argerich

Seiji Ozawa, Martha Argerich & Mito Chamber Orchestra - Beethoven: Piano Concerto No. 2; Grieg: Holberg Suite (2020)

Seiji Ozawa, Martha Argerich & Mito Chamber Orchestra - Beethoven: Piano Concerto No. 2; Grieg: Holberg Suite (2020)
XLD Rip | FLAC (tracks+log+.cue) - 265 Mb | MP3 CBR 320 kbps - 140 Mb | Digital booklet | 00:56:34
Classical | Label: Decca Classics

Four decades of friendship and musical partnership brings these two titans of classical music together again. Eagerly anticipated follow-up to their now-legendary recording of the first concerto. Recorded live in concert in Japan in May 2019.
Martha Argerich, Renaud Capucon, Mischa Maisky - Beethoven: Triple Concerto, Op. 56; Schumann: Piano Concerto, Op. 54 (2004)

Ludwig van Beethoven: Triple Concerto, Op. 56; Robert Schumann: Piano Concerto, Op. 54 (2004)
Martha Argerich, piano; Renaud Capuçon, violin; Mischa Maisky, cello;
Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky

EAC | FLAC | Image (Cue&Log) ~ 309 Mb | Scans included
Genre: Classical | Label: EMI | # 7243 5 57773 2 4 | Time: 01:04:35

The Beethoven Triple Concerto is a strange work, with the most important–-or at least prominent–-solos given to the cello; it is the instrument which introduces each movement. The remarkable Martha Argerich wisely allows Mischa Maisky to shine in his solos and leading position, but her contribution is anything but back seat. Her customary virtuosity is everywhere in evidence, and, in a way, she turns the piano into the spinal column of the work, with the violin and cello playing around her. Every time Maisky is about to lapse into a mannerism which might detract–-too much sliding, a dynamic slightly exaggerated–-Argerich brings him back, and both of them play with handsome tone. Capucon's violin is recorded a bit stridently (this was taped live in Lugano), but his playing is equally stunning. Alexandre Rabinovitch-Barakovsky leads the orchestra matter-of-factly until the final movement, when he catches the proper fire. In the Schumann A minor concerto Argerich is wonderful the solo passages and a fine partner in orchestrated ones and she really makes much of both the lyrical runs and the dance-like passages in the last movement. Recommended.
Martha Argerich - Shostakovich: Piano Concerto No.1, Piano Quintet, Concertino for Two Pianos (2007) [CD-Rip]

Martha Argerich - Shostakovich: Piano Concerto No.1, Piano Quintet, Concertino for Two Pianos (2007)
EAC | APE (image+.cue, log) | Covers Included | 01:06:18 | 313 MB
Genre: Classical | Label: Warner Classics | Catalog: 5045042

Argerich's 1994 DG reading of the Concerto for Piano, Trumpet and Strings is already a benchmark version among modern recordings, complementing the composer's own technically fallible yet still indispensable 1958 account. But now there is a more natural flow in the slow movement, some previously slightly forced rubati are smoother, and although the textures are a fraction more richly pedalled, as often needs to be the case for projection to a big audience rather than the microphone, there is no more than an infinitesimal loss of clarity. So if anything Argerich's playing has the tiniest of edges even over her former self.
Martha Argerich - Martha Argerich and Friends: Live from the Lugano Festival 2010 (2011)

Martha Argerich - Martha Argerich and Friends: Live from the Lugano Festival 2010 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 03:59:47 | 1.1 Gb
Genre: Classical | Label: EMI Classics | Catalog: 5099907083624

Martha Argerich's involvement with chamber music has dominated the later part of her career, so it's easy to think of her name with the words "and friends" tacked on, and to visualize the large and diverse retinue of famous musicians who have recorded with her. This triple-disc box set from EMI Classics presents live recordings from the 2010 Progetto Martha Argerich in Lugano, several of them collaborations with Argerich, notably in works by Robert Schumann, Franz Liszt, and Béla Bartók, as well as a performance of Frédéric Chopin's Piano Concerto No. 1 in E minor, where she is the featured soloist with the Orchestra della Svizzera Italiana.
Martha Argerich - Martha Argerich and Friends: Live from the Lugano Festival 2005 (2006)

Martha Argerich - Martha Argerich and Friends: Live from the Lugano Festival 2005 (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 03:30:42 | 1 Gb
Genre: Classical | Label: EMI Classics | Catalog: 58472

Martha Argerich does not give solo piano recitals anymore. She does something better: she plays duo piano and chamber music with her friends and students. She's been doing it for a couple of decades, and willful as she is, she probably won't change. Besides, when it comes to duo piano and chamber music recitals, Argerich with her friends and students can't be beat. Take, for example, this three-disc set of performances taken from the 2005 Lugano Festival.

Martha Argerich - The Successful Beginning (2018)  Music

Posted by Fizzpop at Sept. 24, 2018
Martha Argerich - The Successful Beginning (2018)

Martha Argerich - The Successful Beginning (2018)
MP3 CBR 320 kbps | 4:04:48 | 576 MB
Classical | Label: Profil

Martha Argerich was born in Buenos Aires in 1941 and in the course of her career has risen to become the best-known female pianist in the world. Friedrich Gulda accepted her as a student in 1955 and she went to Vienna to study with him, although he freely admitted that he did not know what he could teach her. In 1957 she won first prizes at piano competitions in Bolzano and Geneva. Her early recordings made in Buenos Aires (1955) and Geneva (1957) form an interesting part of this collection.
Martha Argerich, Gidon Kremer, Mischa Maisky - Dmitri Shostakovich, Pyotr Ilyich Tchaikovsky: Trios (1999) [Re-Up]

Dmitri Shostakovich, Pyotr Ilyich Tchaikovsky - Trios (1999)
Martha Argerich, piano; Gidon Kremer, violin; Mischa Maisky, violoncello

EAC | FLAC | Image (Cue&Log) ~ 330 Mb | Scans included | Time: 01:19:18
Genre: Classical | Label: Deutsche Grammophon | # 459 326-2

Wow! This is music making on a cosmic scale. You may hear some jaded critic offer up the following generic comment about this release: "These three players, gathered together for only the second time, naturally can't equal the subtle give and take of more established chamber ensembles." Bull. All three artists rank among the most inspirational and experienced chamber players of our time, and here they set the notes on fire in performances of shattering intensity, improvisational spontaneity, and (in the Tchaikovsky) Herculean grandeur. Argerich's performance of the concerto-like piano part of the Tchaikovsky Trio is especially impressive; she seems to know instinctively when to dominate the proceedings and when to let her partners take over; and the final "Theme and Variations"–a huge movement half an hour in length–seldom has sounded so cohesive and meaningful. As to the Shostakovich, well, what can I say? This is one of the most profoundly moving experiences in music, and how well this trio knows it! The three players find the perfect tempo for the third movement Passacaglia, then build the tragic finale as inexorably as fate itself.
Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}

Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (png) -> 71 Mb | 5% repair rar
© 2014 Deutsche Grammophon | 00289 479 1033
Classical / Viennese School / Concerto / Piano

The first new release for ten years from Martha Argerich and Claudio Abbado is their first ever album of concertos by Mozart. The legendary pianist and conductor add the sublime music of Mozart to their unrivaled, multi award-winning DG discography of concertos by Tchaikovsky, Chopin, Ravel, Prokofiev, Beethoven and Liszt. Both concertos were recorded with Claudio Abbado s Orchestra Mozart, at concert performances at the 2013 Lucerne Festival that had critics searching for new superlatives. The album contrasts two very different works. Written in D minor, the key of the Queen Of the Night and the opening of Mozart s Requiem, the darkly dramatic No.20, K.466 has a stormy, operatic temperament that looks forward eighteen months to the premiere of Don Giovanni. With its majestic and radiant opening and a march famously reminiscent of the Marseillaise, No.25 in C major, K.503 is the culmination of the twelve transcendent concertos Mozart wrote in Vienna between 1784 and 1786. This release is Martha Argerich s first recording of solo concertos by Mozart on Deutsche Grammophon.

Martha Argerich & Sergei Babayan - Prokofiev for Two (2018)  Music

Posted by delpotro at June 30, 2018
Martha Argerich & Sergei Babayan - Prokofiev for Two (2018)

Martha Argerich & Sergei Babayan - Prokofiev for Two (2018)
EAC Rip | FLAC (tracks+log+.cue) - 191 Mb | MP3 CBR 320 kbps - 138 Mb | 01:00:10
Classical | Label: Deutsche Grammophon

Pianists Martha Argerich and Sergei Babayan present two stunning selections from Prokofiev’s music for stage and screen in magnificent two-piano transcriptions by Babayan.
Martha Argerich - Chopin: The Complete Recordings On Deutsche Grammophon (2016) {5CD Set, Deutsche Grammophon ‎00289 479 6068}

Martha Argerich - Chopin: The Complete Recordings On Deutsche Grammophon (2016) {5CD Set, Deutsche Grammophon ‎00289 479 6068}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.34 Gb | MP3 @320 -> 882 Mb
Full Artwork @ 300 dpi (png) -> 71 Mb | 5% repair rar
© 2016 Deutsche Grammophon ‎| 00289 479 6068
Classical / Romantic / Piano

This 5 CD set brings together Martha Argerich’s complete studio, live and radio recordings on Deutsche Grammophon, and documents her special, intuitive and passionate relationship with Chopin’s music. Issued in time for her 75th birthday celebration on 5th June 2016, and accompanying the Early Recordings release, this retrospective offers a comprehensive view on the composer who has always been at the very heart of Martha Argerich’s repertoire.