Originally released in 1963, “Caravan” was Art Blakey & The Jazz Messengers' first album for Riverside Records. Featured in addition to Blakey are Freddie Hubbard (trumpet), Curtis Fuller (trombone), Wayne Shorter (sax), Cedar Walton (piano) and Reggie Workman (bass). This reissue features remastered audio from the original master tapes and is available on 192/24 hi res digital.
Not to be confused with At the Jazz Corner of the World, the Messengers' 1959 Birdland recording (which featured tenor saxophonist Hank Mobley), Meet was recorded the following year at the band's favored venue with the still-rawboned tenorist Wayne Shorter joining trumpeter Lee Morgan on an explosive front line. Originally released in separate volumes but here presented as a two-CD set, the album maintains the Messengers' ties to the underappreciated Mobley via three originals that he never recorded himself. The emphasis is less on catchy tunes than full-bore blowing, with the rhythm section of Bobby Timmons, Jymie Merritt, and the unbeatable Blakey plumbing their bag of hard-bop tricks to push the music through the grooves.
This LP contains valuable performances by the early Jazz Messengers that sat unissued until decades later. Four selections feature the band when drummer Art Blakey and pianist Horace Silver were co-leaders; trumpeter Donald Byrd, Hank Mobley on tenor and bassist Doug Watkins were also in that quintet. Two numbers from June 1956 find Blakey as sole leader of The Messengers for the first time, heading an otherwise unrecorded unit with Byrd and multi-instrumentalist Ira Sullivan.
The late 50's were a prime period for Art Blakey's Jazz Messengers, and in 1958 this group features emerging stars trumpeter Lee Morgan, Benny Golson on tenor and pianist Bobby Timmons, and the 1958 version of The Jazz Messengers was widely recorded during their stay in Euroupe, so this CD contains some of the better uptempo arrangements in the Blakey book as I Remember Clifford, Along Came Betty, Moanin' and Whisper Not. Hard bop at its best, and all of them propelled by the powerful drumming of Art Blakey.
Jazz Icons DVDs feature full-length concerts and in-studio performances by the greatest legends of jazz, filmed all over the world from the 1950s through the 1970s. Beautifully transferred from the original masters, each DVD features rare performances that have never been officially released on home video and, in many cases, were never broadcast. Each DVD includes a booklet with liner notes, rare photos and a memorabilia collage. Produced with the full support and cooperation of the artists or their estates.
The final recording by this edition of The Jazz Messengers (featuring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, bassist Jymie Merritt and drummer/leader Art Blakey) finds the group consolidating their year-and-a-half of experience into yet another exciting document. Blakey's unaccompanied drum feature on "The Freedom Rider" is full of drama while the rest of the program (two compositions apiece by Morgan and Shorter) makes this last chapter for this particular band quite memorable.
This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Ugetsu, a 1963 live set from the original Birdland, finds Art Blakey & His Jazz Messengers at the peak of their powers with one of their strongest lineups. The group primarily recorded sessions for Alfred Lion's Blue Note label, but this Riverside date is as strong as any of their previous outings. Having acquired the services of trombonist Curtis Fuller in 1961, the Messengers' front line was its most robust ever, with Wayne Shorter and Freddie Hubbard consistently turning in some of their best performances. Rounding out the rhythm section with Blakey are the equally powerful Reggie Workman and Cedar Walton.
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. When the Marsalis Brothers left The Jazz Messengers in early 1982, Wynton suggested that Art Blakey take a close listen to trumpeter Terence Blanchard (then 19) and 21-year old altoist Donald Harrison. The drummer took his advice, and after also adding young pianist Johnny O'Neal, Blakey soon had an exciting new version of The Jazz Messengers.
A complete, previously unissued 1958 concert, with excellent sound quality, performed in Zurich by one of the best formations of Art Blakey’s Jazz Messengers, featuring Lee Morgan, Benny Golson, Bobby Timmons and Jymie Merritt. Contains new versions of the classics “Moanin’” and “I Remember Clifford”, along with the only existing live version of “Come Rain or Come Shine” by this group, and an amazing trio version of “My Funny Valentine” with Bobby Timmons as the featured soloist.