The best hits of a rock'n'roll from the greatest legends of the 50th. A rock'n'roll, the main world music of the 50th years, having appeared on dance floors and in airs, instantly I blew up rather quiet bog reigning then a rhythm and blues, a country and other. At concerts the public at last started rising with chairs and to arrange violent dances, girls for the first time started squealing and making a declaration of love to idols, and musicians - to move on a scene. And not so, as if they have all body in plaster, and is opened, is free and, according to hypocrites, in general even it is indecent.
It’s been a while coming, but here we finally get Trikont’s third volume in their amazing Early Black Rock ‘N Roll series. As before, the intent is to present real American rock ‘n roll as it first emerged in the late 1940s-early 1950s, before the music’s black roots were de-emphasised and it was cleaned up for consumption by the middle class white America of Richie Cunningham, Ralph Malph and Potsie. These 26 knock-out tracks certainly deliver on this - or, in the words of Nik Cohn in the booklet’s notes, ‘compared to the sentimentalism of white music, (hearing the originals) was like a window being opened to let the stale air out’.
NIGHT COMES DOWN continues RPM’s ongoing pedigree in creating bespoke Sixties compilations of rare British music aimed at discerning collectors. This 3-CD box set follows previous collections Looking Back (2011) and Keep Lookin’ (2014), which ran the gamut of musical styles which emanated from the UK, diverse and yet united in their dancefloor appeal, from the discotheques of the day to nouveau Mod clubs in the 21st century.