Victor Aloysius Meyers was born in mid -1898 as the 15th of 16 children in Little Falls, Minnesota. Vic's father was County Treasurer for Morris County, Minnesota, a position he held for 30 years. When the family moved West to Oregon in the mid-'teens, Vic started on a musical career. He could play violin, but by the age of 18, he was a drummer in a three piece group that played each summer at Seaside, an ocean resort. At 21, in 1919 he got a two year contract to play with a full size band in the Rose Room in Seattle’s Hotel Butler, located at the corner of 2nd Avenue and James Street. Its construction started around 1900 and when it opened it "immediately became the jewel in the City’s crown. Its lavish Rose Room grill featured magnificent cuisine in an atmosphere of top recording orchestras, cut-glass chandeliers, thick imported carpets and sterling silver."
GQ are remembered for two very different things: uptempo disco-funk jams ("Disco Nights," "Standing Ovation") and covers of Billy Stewart ballads. And they excelled in both areas. But by 1981 (the year in which Face to Face first came out as a vinyl LP), the popularity that GQ had enjoyed in 1979 and 1980 was starting to fade. Face to Face, which was the Bronx outfit's third album as GQ (in 1976, they recorded an album titled Soul on Your Side as the Rhythm Makers), wasn't as commercially successful as 1979's Disco Nights or 1980's Two. Unlike those albums (both of which went platinum in the United States), Face to Face didn't contain any blockbuster hits. But Face to Face did make it to number 18 on Billboard's R&B albums chart, and it contained the number 23 R&B hit "Shake."
2003 restored & remastered reissue of 1985 compilation, that's unavailable domestically, featuring 29 tracks recorded during 1964-1968, packaged in a digipak. Includes 12-page full color booklet with photos & other memorabilia.
Like a majority of up-and-coming British bands of the 1960s, the Zombies made nearly two dozen BBC Light and Radio 1 transmissions between the fall of 1964 and the spring of 1968. The 29 cuts hail from a variety of those programs. In many cases their alternate persona as a consummate and immensely soulful cover combo is likewise illuminated. The contents are presented in a relatively chronological manner, commencing with one of the group's earliest shots (if not the earliest shot) on Saturday Club, broadcast on October 3, 1964…