bo Magazine

Ska Cubano takes classic Jamaican ska, blends it with Afro-Cuban son and salsa, throws in some retro swing and Colombian cumbia for spice, and creates a magic musical concoction that will get your feet moving and your hips shaking.The UK world music magazine Songlines voted "Ay Caramba" one of the top 10 world music releases of the year, saying the record is, "A triumph. Remaining seated is not an option." Mojo magazine exclaimed the album, "Will have you on your feet before you've had time to consider the whys and wherefores."Ska Cubano’s "Ay Caramba!" is the first release from the new record label Cumbancha, which was founded by the long-time head of A&R and music research at the popular world music label Putumayo.

Voted the Best Blues Band in the Mid Atlantic Region 12 years in a row, the Kelly Bell Band from Baltimore, Maryland is “among the most genre-expanding acts on today’s blues scene. Who else can combine elements of hip-hop, funk, and blues-electrified here, Delta there, horn driven elsewhere- and still manage to sound sincere? A forward view of the way blues is transitioning in today’s scene…Bell’s an honest poet and an outstanding singer with lots to say. ” Blues Revue Magazine.

Margo Guryan Died in 2021. Her Music Keeps Getting Rediscovered. “Words and Music,” a new anthology, shines light on a little-known but increasingly beloved master of pop and jazz songwriting. In the late summer of 1970, Elton John arrived at Los Angeles International Airport for his debut U.S. shows and was greeted by another wildly talented piano-playing singer-songwriter: Margo Guryan. Her husband, David Rosner, worked for the company that signed John, and together they helped him get sorted in the run-up to his legendary performances at the Troubadour, kicking off a long, spectacular career. Guryan’s career proved less of a spectacle. After modest success as a jazz-pop songwriter, she recorded one album of her own, with Rosner’s encouragement. “Take a Picture” was alive with dazzling melodies, lyrical wit, strikingly intimate vocals and marvelously florid arrangements — a small masterpiece of the microgenre known as sunshine pop. But Guryan was a reluctant performer who refused to tour, and her album, released in 1968, was a commercial flop, after her label barely promoted it. And yet, in a unique twist on a familiar story, the 11 songs of “Take a Picture” became a shared secret around the world; pirate pressings overseas earned her the sobriquet “The Soft Pop Queen of Japan.” In 2000 the LP was officially reissued, followed by others collecting her demo recordings — lean performances that could pass for 21st-century indie-pop.

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