Charles Peters

This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations.

2009 two CD-set containing a pair of albums from the Country superstar, originally released on the United Artists and Liberty labels at the height of his worldwide popularity between 1976 and 1983. Though Rogers achieved success at the tail end of the '60s with his band The First Edition, it wasn't until he fully crossed over into the Country market that international fame came calling. Ironically, his move away from the Pop charts actually brought him more success once Country Music began to crossover into the same market he had initially given up on. Contains the albums Love Lifted Me (1976) and Kenny Rogers (1977). 21 tracks.

This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations.

With few exceptions, greats who established themselves during soul's golden era were not well served by the disco era, when arrangements and material often poorly suited their abilities. Such was the case with the final two albums by Esther Phillips, Here's Esther…Are You Ready (1979) and Good Black Is Hard to Crack (1981), here combined onto one CD with historical liner notes.

From subtle irony to direct provocation: Satie, the complacent gentleman with a hat and goatee, meets the "pianist-futurist" Antheil.