Classical Guitar

Includes selections by Rodrigo, Vivaldi, Villa-Lobos, Giuliani, Brouwer and others with performances by Pepe Romero, Alexandre Lagoya, Eduardo Fernandez and many more

The Beatles were not only hugely influential on the world of popular music. The creative genius of John Lennon and Paul McCartney inspired many classical musicians to create their own arrangements of these iconic songs. This 2-CD set is the ultimate classical Beatles collection, featuring a selection of arrangements. The first CD consists of arrangements for classical guitar (surely the most appropriate of all classical instruments!) including Cuban composer Leo Brouwer’s suite for guitar and strings From Yesterday to Penny Lane. The second CD, Fron Male Voice Choir newly-recorded performance of Yesterday and Hey Jude, and a rousing finale of Let It Be by Arthur Fiedler and The Boston Pops. One of the highlights of the set is The Beatles Concerto, an arrangement for two pianos and orchestra featuring eight Beatles songs, by the celebrated English composer John Rutter. Also included is Beatlecracker Suite, a fascinating arrangement of Lennon and McCartney songs in the style of Tchaikovsky’s The Nutcracker Suite – a true lost classic composed in 1965 at the very height of ‘Beatlemania’.

Franco Margola (1908–1992) was an Italian composer who was active throughout the 20th century. During his lifetime, he dedicated himself to composing pieces for musicians in the academic sector, where he found fertile ground and was widely commissioned for both pedagogical and non-educational purposes. His career included various teaching and leadership posts at several Italian conservatoires, not least the Conservatorio di Musica ‘Arrigo Boito’ in Parma, where he taught composition from 1963 to 1975. Here, thanks to a collaboration with the guitar teacher Renzo Cabassi, he began to compose numerous works for guitar (approximately 250 opus numbers).

Overall, the musicianship here is wonderful. The Claude Quartet plays with precision and feeling, and in lock step. Nuances (subtle dynamics, etc.) have been captured in fuller fidelity than in the original recording, making this an interesting listen. Of course, when you've heard one recording hundreds of time, the first time listening to a new one will seem a bit jarring at times, when the differences are at their greatest - but I'll not place any value on that - it's just different.