Don Boyer

"Sacrum Convivium" presents a vision of French music over two millennia: from Gregorian chant through Guillaume de Machaut’s extraordinary ‘Lai de Nostre Dame’ to the Twentieth Century of Maurice Duruflé, Francis Poulenc and Olivier Messiaen, all three of them influenced in some way by the spirituality and sensibility of Gregorian chant, which Messiaen himself described as “the greatest treasure we possess in western music.”

Tahiti 80 are a French indie pop band originally from Rouen, Normandy. They are individually known as Xavier Boyer, Médéric Gontier, Pedro Resende.

Duane Allman - An Anthology, Vol. I (1972) {2CD Set 2008 SHM-CD Japan Mini LP, Universal Japan UICY-93507~8}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 622 Mb | MP3 @320 -> 219 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1972, 2008 Universal / Polydor / Capricorn | UICY-93507/8
Rock / Blues Rock / Southern Rock / Blues

Cardboard sleeve (mini LP) reissue from Gregg Allman featuring the high quality SHM-CD format, the latest remastering, and Cardboard sleeve replica of the original English LP artwork. Duane Allman's greatness was apparent on his recordings with the Allman Brothers, yet there was another side to the superb guitarist. For many years, he was a highly respected session musician, playing on cuts by Wilson Pickett, Aretha Franklin, King Curtis, Boz Scaggs, Delaney & Bonnie, and Clarence Carter, among others. By including those session cuts, as well as a sampling of his brief sojourn in Eric Clapton's Derek and the Dominoes and a few rare solo tracks, along with a number of representative Allman Brothers songs, the double-album Anthology winds up drawing a complete portrait of Allman. He may have recorded plenty of other material worth hearing, but this has the bare essentials for an excellent introduction and retrospective.

All of the music on this CD was recorded by trumpeter Dizzy Gillespie in Paris during a one-month period in 1952. The first half of the set teams Gillespie with tenor saxophonist Don Byas, who had moved to Europe from the U.S. six years earlier. The sextet alternates swing standards with some boppish originals and Afro-Cuban jazz pieces. The performances are pretty concise, and one wishes that Gillespie and Byas had had opportunities to really stretch out and inspire each other. The final dozen selections mostly feature the trumpeter backed by a string orchestra with arrangements from Jo Boyer or Daniel White. The repertoire is comprised of swing tunes, but Dizzy's melodic statements are still pretty adventurous…