Drum Motor

You're presently reading about what may be the best album of 2007, hands down, by the most under-accorded American musical genius. Real murmurs, believable ones, came with Josh Ritter's 2006 album, Animal Year, suggesting that the Idahoan is today's Bruce Springsteen, today's Bob Dylan. He's never sounded more the part than on Historical Conquests, the follow-up to Animal. Ritter's tripping over his syllables and allusions on the opener, "To the Dogs or Whoever", dropping biblical and historical images like a fresh-faced Dylan. Except here, Ritter throws in an organ-fueled, ride-cymbal-crashing, drum-hefty clatter. It's majestic, and it's only the first three minutes. Recorded between stints on a never-ending tour, Historical reflects Ritter on the road, quick witted, a master of phraseology and of imagery. Horns show up as color, giving Ritter a soulful vibe on "Right Moves", a raucous funkiness on "Rumors," and a doleful cloudiness on "The Temptation of Adam".

When looking back on the development of electronic dance music during the past twenty years in fast forward mode, one of the few remaining constants is the beat: living metre of the club, catalyser of motor activity, heartbeat of the dancer. But why? Meanwhile, the trendsetters of the current electronica scene follow a more differentiated approach. Pace and rhythmicity, the syncopic chords and sequences and, last but not least, deep emotional worlds of sound are positioning this new form of electronic dance music clearly in a club context without the bass drum playing her sometimes even crushing role. Finally, energetic tracks with musicality and sensual passion can be produced without drums very well…

BANDA DO CASACO's genesis comes from the reunion of jazz musician Nuno Rodrigues and FILARMÓNICA FRAUDE's men António Pinho and Luís Linhares, who made the decision to establish a new group who could wield some influence in the Portuguese music scene…

The fate of the music underground tunnel where radio monopolies were confined these threatening cultural revolutions. Nova catching mix of cult songs like White Rabbit, the acid trip of fifteen years before Jefferson Airplane and Devotion by John McLaughlin, one of the pioneers of jazz-rock fusion. 1981 and the lyrical and modernist breakthroughs of the new wave, Tuxedomoon. And his French electronics Heldon, with already big his New York Material, the group of Bill Laswell, a fellow traveler.