Dsd64

Another fine example of Japanese jazz from the mid-1970s, this set is led by cellist and bassist Isao Suzuki and features the earliest recorded performances of guitarist Kazumi Watanabe. Four tracks make up the recording, of which two are covers, the opening standard "Body and Soul" (complete with opening melody played on the bass) and "Play Fiddle Play," and two originals, which stack up very well against such classic material. This set was a follow-up to a huge breakthrough album for Suzuki called Blow Up, recorded a year earlier in 1973.

Herbert von Karajan conducts this performance of Tchaikovsky's Six Symphonies by the Berlin Philharmonic Orchestra. Although Karajan recorded the last three symphonies many times, he did not turn to the first three until the end of the 1970s. No doubt the reason these early symphonies sound so fresh is because the Berlin orchestra was not over-familiar with them – this belied by the sheer refinement of the orchestral playing. Recorded at the Philharmonie between October 1975 and February 1979, Karajan's Berliner Philharmoniker cycle is presented on three SHM-SACD, mastered from the analogue recordings, transferred & edited in PCM, then converted to DSD.

"Standards Live" is a live jazz album released by the Keith Jarrett trio in 1986. Originally released by ECM, it has been multiply re-issued. The album presents a performance of pianist Keith Jarrett with Gary Peacock on double bass and Jack DeJohnette on drums, recorded on July 2, 1985 in Paris, at the Palais des Congrès Studios de la Grande Armée, the second of a two-night engagement at that venue.

1973 Landmark Set a Profoundly Influential Record on Country, Folk, and Rock Genres. Influential doesn’t begin to capture the scope, legacy, and brilliance of Gram Parsons’ GP. By wedding traditional country threads with folk, soul, and rock fabrics, the singer/guitarist unconsciously gave birth to a new subgenre that would later evolve into what we now know as country-rock and Americana.

Grievous Angel is the second and final solo studio album by Gram Parsons, compiled from summer 1973 sessions and released four months after his death from a morphine and alcohol overdose in September 1973. It received great critical acclaim upon release, but failed to find commercial success. Grievous Angel peaked at number 195 on the Billboard charts. Despite its modest sales, it is viewed as a successful example of the hybrid between country and rock and roll Parsons called "Cosmic American Music". In 2012, the album was ranked number 425 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Wheels of Fire is the third album by the British rock band Cream. It was released in the US in June 1968 as a two-disc vinyl LP, with one disc recorded in the studio and the other recorded live. In May 2012, Rolling Stone magazine ranked it at number 205 on its list of the 500 greatest albums of all time.

Blade Runner is the soundtrack album for the 1982 film Blade Runner, composed by Greek electronic music composer Vangelis. It is mostly a dark, melodic combination of classical composition and synthesizers which mirrors the futuristic film noir envisioned by director Ridley Scott. The original soundtrack release was delayed for over a decade, until 1994, despite the music being well-received by fans and critically acclaimed - it was nominated in 1983 for a BAFTA and Golden Globe as best original score. The soundtrack is regarded as a historically important piece in the genre of electronic music.

Songs from the Big Chair is the second studio album by the British rock/pop band Tears for Fears, released on 25 February 1985 by Phonogram Records. The album peaked at number two in the UK and number one in the US and Canada. It spawned the international hit singles "Mothers Talk", "Shout", "Everybody Wants to Rule the World", "Head over Heels", and "I Believe". It remains their best-selling album to date.

Private Eyes solidified Hall & Oates' status as one of the most popular acts in America in the early '80s, and with 1982's H2O, they capitalized on its success, delivering an album that turned out to be bigger than its predecessor, as it climbed higher on the charts and launched three Top Ten singles with "Maneater", "One on One", and "Family Man".

Since finishing second to Joshua Redman in the Thelonious Monk Institute's tenor sax competition, Eric Alexander has built an impressive discography as a leader, while also drawing a lot of attention in both the U.S. and Japan. This Venus release, recorded in 2005 and one of the last sessions by pianist John Hicks, primarily focuses on standards, with the exception of Hicks' tense hard bop vehicle 'Avotcja.' A loping treatment of 'Sunday in New York' is a solid opener, conveying the image of a brisk walk in Central Park on a cool autumn day.