Easy Music Score

Best known for his post-millennial science fiction and horror film work, Tyler Bates is a composer whose work also includes television series and video game soundtracks, as well as guitar and production duties for Marilyn Manson. Born in Los Angeles, California, he grew up in Chicago and was introduced to a wide range of music by his mother. He began composing music as a teenager and eventually moved from Chicago to Los Angeles in 1993 to pursue a career as a film music composer.

Philadelphia native Alexander Courage is famous for co-writing the theme for the original Star Trek TV series with the show's creator Gene Roddenberry. The mid-'60s NBC-TV series went on to become a phenomenon during it's run in rerun syndication and spawned several movie versions and successful TV spin-offs. Raised in New Jersey, he earned a bachelor's degree in 1941 from the Eastman School of Music in Rochester, NY. Courage served a five-year stint in the United States Army during World War II. After the war, he settled in Los Angeles and began working as a composer/arranger for radio shows The Camay Hour and Sam Spade.

20 great songs. 'Up Where We Belong', 'Take My Breath Away', 'I Just Called to Say I Love You', 'Time of My Life', 'Stand by Me', 'What a Wonderful World', 'It Must Have Been Love', '(Everything I Do) I Do It for You', 'The Crying Game' and more, and more…

Writing a soundtrack for Being John Malkovich couldn't have been an easy task for Carter Burwell. How many films so freely sneak between absurdity, fantasy, and dark melancholy–often in the same scene? Thankfully, the film composer rose to the task. The music of Being John Malkovich varies from introspective simple piano solos to a snippet of Bartók, but mostly revolves around an orchestrated theme found from the start of the movie (heard in the track "Puppet Love" all the way through "Future Vessel"). There are some odd surprises, such as Björk's dreamy contribution of "Amphibian" and "Malkovich Masterpiece Remix," in which the actor reciting his name is transformed into a goofy trip-hop tune. Track 17 is an excerpt of Burwell verbally explaining a scene to his orchestra; on track 18 ("Lotte Makes Love"), we get to hear the outcome. Just like the movie, this soundtrack can be repetitive at times, but it's a perfect accompaniment to this weird and wonderful film. –Jason Verlinde

Learn how to play piano runs in rhythm feel in 2 Beats. Learn Rosa's Secret Tips coordinating both hands to play runs

Learn how to play piano runs in rhythm feel in 2 Beats. Learn How To Coordinate Both Hands To Play Runs in the flow