ec Was Here

was a trade paperback (TPB) published by Marvel in June 2002 collecting the stories originally published in 2001 single-issue comics magazine form as . Daredevil: Yellow presented another take on Daredevil's origins using letters written to Karen Page after her death as a narrative device. Here Page believes she is in love with both Daredevil and Murdock, and Nelson with Karen Page, resulting in a silent rivalry between the two men. The supervillains the Owl and the Purple Man are the antagonists. Daredevil credits Page with coining the phrase "The Man without Fear", and she also suggest to Daredevil he wear red instead of black and yellow. Daredevil's original costume, allegedly designed by Jack Kirby himself, was actually red, black and yellow and it was only in issue #7 when writer-artist Wally Wood came up with the familiar red costume. In keeping with the chosen narrative device, writers Jeph Loeb and Tim Sale retell Daredevil's origins in a deliberate, almost languid fashion, as character-driven as Frank Miller's series was. Evidently, they have succeed.

first appeared in the comic book (Aug. 1962). The series was canceled with that issue, but response to the character was so positive that a solo title, , was launched with a March 1963 cover-date. is the character's flagship series. Most of the major characters and villains of the Spider-Man saga have been introduced here, and it is where key events occur. The title was published continuously until 1998 when Marvel Comics relaunched it with a new issue #1 (Jan. 1999), but on Spider-Man's 40th anniversary, this new title reverted to using the numbering of the original series, beginning again with issue #500 (Dec. 2003). No. 595 starts a five-part story arc entitled "American Son" that serves as a countdown to Amazing Spider-Man's landmark 600th issue.

At his peak, Eric Clapton was nicknamed "God" by his fans, an indication of how highly regarded the guitarist was during his glory days. This phrase, immortalized in graffiti that spread across London in 1967, originated a few years earlier when Clapton was playing with John Mayall's Bluesbreakers just after leaving the Yardbirds in 1965. Clapton never was comfortable with the nickname – he embraced "Slowhand," titling his 1977 album after it – but "Clapton Is God" is a pivotal part of his story and an instrumental moment in the rise of the guitar hero, a rock & roll cliché that didn't exist prior to EC.

was the name of two comic book series published by Marvel Comics in the 1970s. The first series, previously posted here in AvaxHome, featured in its first issue the origin of the Marvel Universe superhero team The Defenders. This, the second series, featured , a supporting character from the ancient fantasy world of . It was published for only seven issues, from November 1975 until November 1976. Issue #6 entitled "Beware the Sacred Sons of Set" sets off a 5-issue story arc that crosses over into , goes back to issue #7 for a 7-page sword fight between Red Sonja and Conan the Barbarian, and that finally concludes in . Red Sonja then received her own self-titled series in January 1977. This brief series was the first such for Red Sonja in her own solo adventures, and where her bikini-like costume of scale-mail, originally conceived by Esteban Maroto became permanently associated with her character.

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Fern Kinney’s 1979 debut album “Groove Me” did not produce any across the board smashes like Anita Ward or Stephanie Mills did. But it did produce two club classics that set dance floors on fire and that was no easy feat during Disco obsessed 1979. Both the title track and “Baby Let Me Kiss You” became regulars at clubs across the country. A closer listen to Fern Kinney’s full length album shows the Northern Soul vocalist at home with Disco, R&B, Quiet Storm ballads and Pop Music. An accomplished vocalist, Kinney at times sounds like Deniece Williams. “Under Fire”, “Angel On The Ground”, “Pillow Talk”, and “Together We Are Beautiful” are all lush mid-tempo R&B songs with a driving Disco beat. “Sun, Moon, Rain” is the sole ballad on the set and Kinney handles it well.