This is Tom Principato’s first recording with Powerhouse, his legendary horn-driven band from Boston, now available on CD for the first time anywhere. This 2-for-1 CD contains the complete Powerhouse LP Night Life along with Lovin’ Machine, a collection of unreleased and live tracks. The 1970's were exciting times for live music. Regional bands from all over the country were melding blues, rock and R&B influences into a style that would bring many to national prominence. In the Northeast, the Boston-based Powerhouse was a standard bearer for this hard drivin' soulful sound. Powerhouse endlessly toured the club and college circuit before finally disbanding in 1977.
Jeremiah Johnson takes the dangers of the COVID-19 virus as seriously as his music career. But no matter how you look at it, the 2020 Covid-19 pandemic has effectively put him out of work. “Unemployed Highly Annoyed” is Johnson’s response to the adverse situation. Quarantined at home for months, Johnson decided it was time to get creative. “Being forced into unemployment has been beyond frustrating. I decided to produce an album of songs inspired by the “Covid-19 Pandemic” and try to turn the roller coaster of emotions into something musical. This is truly a concept album.” Johnson exclaims. The final product is a first-class Blues/Roots Rock record that is packed full of stunning guitar work coupled with soulfully passionate bluesy southern vocals. “Unemployed Highly Annoyed” is a striking musical reflection of the times that delivers a message the entire world can relate to.
Recorded in 1971 and 1974. "The 14 performances on Memphis Charlie include some loose live sides and even a taste of slide guitar from Musselwhite. They're the work of a more mature artist than the brash kid on Stand Back."
It's been said that you don't seek out the blues – it seeks out you. For guitar virtuoso Albert Cummings, no words could ring more true. Freshly signed to Provogue Records, a division of Mascot Label Group, Cummings joins the elite ranks of such guitar virtuosos as Joe Bonamassa, Walter Trout and Eric Gales.
The 20th Anniversary of the Wentus Blues Band from Finland was celebrated in Helsinki at the Alexander Theatre, originally built by Russian Czar Alexander II. The show, sweetened by various special guests, surely satisfied the Blues needs of performers and audience alike. The whole atmosphere was reminiscent of Martin Scorsese’s “The Last Waltz” – a film that studied the giant concert given by The Band and superstar guests in San Francisco in 1976. The show featured an impressive line-up of rock and blues legends, such as Eddie Kirkland, Louisiana Red and Lazy Lester, ex-Rolling Stone Mick Taylor, Kim Wilson from the Fabulous Thunderbirds, Omar Dykes from Omar & The Howlers, Barrence Whitfield – a real rocker in the savage style of Little Richard, Sven Zetterberg and Clas Yngstrom from Sweden and the great Eric Bibb. All of the above-mentioned guests have a long history with the Wentus Blues Band.
Road Runner, the second volume of Hip-O Select's ongoing chronicle of Bo Diddley's complete Chess/Checker master recordings, covers roughly one calendar year whereas its predecessor, I'm a Man, spanned four — a good indication that 1959 was an eventful year for Bo. During this one year, he had his biggest pop hit in the jive-talking "Say Man" and had another sizable R&B hit with "Crackin' Up," but both these sides were cut in 1958 and released as a single in 1959.