Emerson+lake

Black Moon is the eighth studio album, and the first in four years, by progressive rock band Emerson, Lake & Palmer, released in 1992. The album received mixed reviews. It did not receive the acclaim of Tarkus or Brain Salad Surgery…

Emerson, Lake & Palmer had just released the then-current two-volume Works album in 1977 when the group embarked on a major tour behind it, accompanied by a 70-piece orchestra. Travelling and touring with a large orchestra, however, proved to be a financial nightmare, and the orchestra ended up on-stage with ELP on only a handful of the tour dates, including the final stop of the tour in Montreal - in the largest stadium the band ever played in. The show was recorded and filmed (a film of the concert, Emerson, Lake & Palmer in Concert, was released in 1979), but the band was ending its run together, having become three musicians pulling in three different creative directions. The audio portion of the concert appeared in 1993 as Works Live, and this two-disc issue features the same tracks in slightly different order, and minus a few…

New 2016 remaster, includes booklet with 2016 band interviews & rare band photos.
Upon its release, the 1973 LP Brain Salad Surgery had been hailed as Emerson, Lake & Palmer's masterpiece. A long tour ensued that left the trio flushed and begging for time off. Before disbanding for three years, they assembled a three-LP live set (something of a badge of achievement at the time, earned by Yes in 1973 with Yessongs and, somewhat more dubiously, Leon Russell with Leon Live). Welcome Back My Friends to the Show That Never Ends gives a very accurate representation of ELP's shows at the time, including their uncertain sound quality. It isn't that the group didn't try hard to give a good show; they did, but left to just his two hands, without the use of multi-tracking and overdubs to build layer-upon-layer of electronic keyboard sounds, Keith Emerson was at a singular disadvantage on some of the boldest material in the trio's repertory…

After the heavily distorted bass and doomsday church organ of Emerson, Lake & Palmer's debut album, the exhilarating prog rock of epic proportions on Tarkus, and the violent removal of the sacred aura of classical tunes on Pictures at an Exhibition, Trilogy, ELP's fourth album, features the trio settling down in more crowd-pleasing pastures. Actually, the group was gaining in maturity what they lost in raw energy…

Emerson, Lake & Palmer's 1970 eponymous LP was only a rehearsal. It hit hard because of the novelty of the act (allegedly the first supergroup in rock history), but felt more like a collection of individual efforts and ideas than a collective work. All doubts were dissipated by the release of Tarkus in 1971…