Popular English progressive rock group formed by members of The Nice (Keith Emerson), King Crimson (Greg Lake) and Atomic Rooster (Carl Palmer). The band are notable for their classical and jazz influenced compositions, virtuoso musicianship and over-the-top live performances.
Though no one talked about it at the time of its release, this album reflected a growing split within the group. Originally, the trio's members, tired of sublimating their musical identities within the context of ELP, each intended to do a solo album of his own…
Legendary progressive rock giants Emerson, Lake & Palmer were formed in 1970 by the brilliant keyboard virtuoso Keith Emerson, gifted singer / composer / guitarist Greg Lake and dynamic drummer / percussionist Carl Palmer. Torchbearers of the progressive rock sound, ELP jointly created the super-group concept and are among the most important bands in the history of rock music…
Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sounds of any of their records. The main focus, thanks to the three-part "Karn Evil 9," is sci-fi rock, approached with a volume and vengeance that stretched the art rock audience's tolerance to its outer limit, but also managed to appeal to the metal audience in ways that little of Trilogy did…
Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here. "Take a Pebble" might have passed for a Moody Blues track of the era but for the fact that none of the Moody Blues' keyboard men could solo like Keith Emerson.
Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here. "Take a Pebble" might have passed for a Moody Blues track of the era but for the fact that none of the Moody Blues' keyboard men could solo like Keith Emerson.
Emerson, Lake & Palmer (ELP) is one of the most popular and successful english progressive rock bands in history. The main characteristics that made the trio so popular were their technical skills and their showmanship. It wasn't very usual -back then- to see such technically proficient musicians like keith Emerson (keyboards) or Carl Palmer (drums) to develop such a highly-visual concert experience; which in fact made an often quite complex music genre, instantly appealing to a broad audience. The Many Faces of Emeron, Lake & Palmer is a key release that shows uknown aspects of their successful career.