Formed in 2008, AGENTS OF MERCY was originally a side-project by Roine Stolt (guitars, bass, vocals) of The Flower Kings fame, whrere the goal was to create a low key, mostly acoustic based type of music…
Don Shinn is an English keyboard player, multi-instrumentalist, composer, and vocalist. He is known primarily as an organist and pianist, and also plays vibraphone. In the early-mid 1960’s he recorded and performed with British Beat groups The MeddyEVILS, The Echoes (backing Dusty Springfield), and The Soul Agents (featuring Rod Stewart). In 1967 he formed his own band The Shinn, which also featured future Uriah Heep bassist Paul Newton, future drummer for The Nice, Brian Davison, and vocalist Eddie Lamb…
British Blues Rock musician Keith Thompson, solo and with his band have been consistently performing in mainland Europe now for 25+ years, where he is well known to the large blues following as an exciting live performer. Keith and the band have toured in Switzerland, Austria, Germany, Poland, USA & UK. They also appeared at several major festivals in Croatia including Baska International Guitar Festival, Umag and Kastav Blues Festivals. Also at Slovenia at the prestigious “Postonja Blues Festival” with “Ten Years After” and “Paul Lamb and the Kingsnakes”, Suwalki and Krosno Festivals in Poland alongside, Jeremy Spencer (Fleetwood Mac), Clarksdale Blues Festival, USA, Colne R&B festival in Lancashire, Swanage, Banbury Upton and Gloucester Blues Festivals in the UK.
"Magnetic" is the exciting new album by London based music producer / musician Gaudi, which features a choice selection of sounds from the catalogue of internationally respected experimental label RareNoiseRecords, as well as direct contributions by several top caliber musicians from the worlds of rock, jazz and electronica.
The list of artists whose sounds were initially chosen by Gaudi from the RareNoise catalogue of releases or who successively added their sounds and skills to the overall project reads like a ‘who’s who’ of musical talent and gives warranted indication as to the quality of the ingredients…
Unfortunately, Alan Shorter didn't get the chance to lead very many sessions. The limited commercial potential of his music – coupled with a rather unhealthy lifestyle – limited him to only a couple of titles under his own name and a dozen or so as a sideman. Like perhaps Eric Dolphy or Albert Ayler, though, the dates upon which he only played a supporting role still heavily bear his stylistic stamp. On this, the last of his leader dates, Shorter's compositions employ relatively vague stutter-step heads and then quickly dive right into free improvisation without looking back. What follows is free jazz along the lines of many BYG or ESP releases from the same era.
With ears dead set on the trends of the moment but still drawing now and then on his jazz past, Quincy Jones came up with another classy-sounding pop album loaded with his ever-growing circle of musician friends. Disco was king in 1978 and Jones bows low with the ebullient dance hit "Stuff Like That" – which is several cuts above the norm for that genre – along with a healthy quota of elegantly produced soul ballads.