Everywhere at The End of Time

Stephen Hawking has earned a reputation as the most brilliant theoretical physicist since Einstein. In this landmark volume, Professor Hawking shares his blazing intellect with nonscientists everywhere, guiding us expertly to confront the supreme questions of the nature of time and the universe. Was there a beginning of time? Will there be an end? Is the universe infinite or does it have boundaries?

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

As its name suggests, "Everywhere / Anywhere /" Hugo Barriol's new album was recorded everywhere. In his van, on a road trip between Morocco, Spain and Portugal at the end of 2022; between his Parisian apartment and his hotel room in Dubai, or in a friend's studio or in the kitchen of his mother's house, Hugo offers us an album which calls to travel and which touches us by its sincerity and its power. Always accompanied by his guitar, Hugo explores and mixes this time electronic and folk sounds with more synthesizers, horns, piano and cords.