Originally released around the turn of the millennium, Musick to Play in the Dark featured a restarted Coil at bay, with original members John (later Jhonn) Balance (R.I.P.) and Peter Christopherson joined by synthesist/bassist Thighpaulsandra, and Drew McDowall (replaced by Rose McDowall on the second volume). These are long-form works, collections of mood pieces in several modes, and what’s interesting (and somewhat predictable) is that the patience displayed while shifting in between these modes creates a tension and space that feels… almost removed from music by a step, as if the performance decided to slowly back away from Coil at a respectful, totality-fearing distance (or maybe it was the psychic force of their music that pushed it all back)…
The initial 1999 version of Astral Disaster on Prescription was an ultra-limited release in a symbolic edition of 99 copies on vinyl only. The CD reissue of what must be one of Coil's more collectable cult items has been slightly remixed, and includes an extra track not on the original as a consolation to the fanatics who missed out on the Holy Grail LP version. Not comparable to the sublime brilliance the group achieved on Musick to Play in the Dark, Astral Disaster mines different territory altogether, and is a strong album that features a notable folk influence. With this approach transfigured through industrial and electronic means, the album bears striking similarities to Current 93 in its exploration of esoteric and mystical themes.
The conclusion to the 1998 season series (actually released in January 1999) certainly lives up to the title billing, in that things do sound awfully cold and gloomy this time around. Opening track "A White Rainbow" does it brilliantly, though Balance's upfront, softly echoed vocal backed by viola from William Breeze and buried background chants result in an unstable, fascinating blend. Enough randomly crazed distortion comes in at the end to send everything just enough over the top…
A series of Jimi Hendrix performances from the Band of Gypsys concerts finally gets the deluxe treatment from MCA and Experience Hendrix, as tapes from both first and second shows are brought together, correctly identified (1986's Band of Gypsys 2 actually featured three tracks that weren't by the band at all) in one deluxe two-disc set. This expanded edition contains the only live versions of "Earth Blues," "Auld Lang Syne," "Stepping Stone," and "Burning Desire"; Hendrix tunes specifically worked up for the performance that rarely surfaced again like "Izabella," "Power of Soul," and "Who Knows"; newly remastered versions of "Stop" and "Hear My Train a-Comin'" (both originally presented on Band of Gypsys 2 in horrendous sound) and classic performances of "Stone Free," "Changes," "Voodoo Child (Slight Return)," and "Wild Thing"…
The Complete Works for Flute and Clarinet: In both original works and transcriptions, the Ebony Duo explores Scelsi’s use of special sound colors and his coloring of sound. Transcriptions especially prepared by the clarinetist (and pianist) Michael Raster provide the basis for some of the works on the present album. Yet Scelsi’s original intentions incurred no damage as a result of this recrafting. To the contrary! “The formidable technical demands that playing on two strings with in part opposite dynamics places on the solo violinist certainly justify an adaptation for two instrumentalists – all the more so as Scelsi himself had already been concerned with the “third dimension”, the depth of sound, in connection wind instruments before, especially in the piece Ko-Lho for flute and clarinet.”