In this high-tech thriller, Dade Murphy (Jonny Lee Miller) has been fascinated with computers all his life; at the age of 11, he was able to break into the computer network of several top Wall Street investment and banking firms, and he nearly caused a major stock market crash in the process. As punishment, Dade was forbidden to use a computer until his 18th birthday, but now that he's of age, he's diving back into his PC head first. Dade meets up with a group of fellow hackers: tough-talking cyber gamer Kate, aka Acid Burn (Angelina Jolie), junior hacker Jesse Bradford, born prankster Cereal Killer (Matthew Lillard), Nikon (Lawrence Mason), named for his photographic memory, and telephone expert Phantom Phreak (Renoly Santiago). Dade and his pals aren't out to destroy systems or do cybercrime for profit; they simply want to know more about the systems they encounter, and they like raising some good-natured havoc. But in their travels through cyberspace, they discover The Plague (Fisher Stevens), a former hacker turned computer security expert with a huge multinational corporation
Robbie Basho was one of the big three American acoustic guitar innovators, John Fahey and Leo Kottke being the other two. Basho was the least commercially successful of the three, but his influence and reputation has steadily grown since his untimely death in 1986 at the age of 45. And with good reason; for Basho's deeply spiritual approach, intellectual rigor, and formal explorations (among his goals was the creation of a raga system for American music), present a deeply compelling, multi-faceted artist. Basho was actually a college friend of John Fahey, and his early recordings (like Kottke's) were for Fahey's Takoma label. Following Fahey 's move to Vanguard, Basho followed suit, and released Voice of the Eagle and Zarthus for the label in 1972 and 1974, respectively (his most commercially successful records were made for the Windham Hill label later in the decade)./quote]