With electric guitar ace Joe Bonamassa strongly inspired by blues and blues-oriented six-stringers (e.g., Eric Clapton, Johnny Winter), many of his fans would politely pester him about recording a disc of blues standards…
Although his early Columbia albums brought him worldwide stardom, it was this modest little album (first released on Imperial before the Columbia sides) that first brought Johnny Winter to the attention of guitarheads in America. It's also Winter at the beginning of a long career, playing the blues as if his life depends on it, without applying a glimmer of rock commercialism…
Joe Bonamassa designed his Red Rocks tribute concert to Muddy Waters and Howlin' Wolf as a fund-raiser for his Keeping the Blues Alive foundation, so it makes sense that the accompanying live album begins with a capsule history of the Mississippi Delta blues, and also has interview excerpts from Waters and Wolf peppered throughout. Bonamassa wanted this particular show to be instructive in addition to being entertaining, so he needs to explain the subjects of his tribute, even if they are two of the biggest blues figures of the 20th century…
Walter Trout pays tribute to blues icon Luther Allison on his 23rd solo release Luther's Blues. 12 of the 13 tracks on the CD are associated with Allison except for the Trout original, "When Luther Played the Blues." Trout first met Luther in Switzerland at the Montreux Jazz Festival in 1986, which provided the location shot for the CD cover. Trout maintains he had the idea for this album since that first meeting. The songs Trout chose to cover are taken from Allison's albums Songs from the Road, Bad Love, Blue Streak, Reckless, and Soul Fixin' Man. As usual, Trout's guitar dexterity is undisputed, but his top-notch vocal work deserves equal attention, especially on the heart-wrenching tracks "Freedom," and "Pain in the Streets." In an era where blues tribute albums are abundant, and in some cases the tribute is anything but, Luther's Blues rises to the top with the best of them.
Despite its hardscrabble title – a sentiment mirrored by the deeply etched black & white cover art – 2016's Blues of Desperation is very much a continuation of the bright, varied blues-rock heard on Different Shades of Blue. On that 2014 album, Joe Bonamassa made a conscious decision to pair with a bunch of Nashville songsmiths to help sharpen his original material, and he brings most of them back for Blues of Desperation, too…
After nearly forty years of musical and personal camaraderie, drummer and producer Bob Christina began studio work with Matt "Guitar" Murphy on what would become Murphy's final project. After he passed in June of 2018, the fate of the unfinished project was placed in Christina's hands. He began outreach to musicians who were friends of Murphy, played with him, or were otherwise influenced by him. The response was overwhelming.
After nearly forty years of musical and personal camaraderie, drummer and producer Bob Christina began studio work with Matt "Guitar" Murphy on what would become Murphy's final project. After he passed in June of 2018, the fate of the unfinished project was placed in Christina's hands. He began outreach to musicians who were friends of Murphy, played with him, or were otherwise influenced by him. The response was overwhelming.
After nearly forty years of musical and personal camaraderie, drummer and producer Bob Christina began studio work with Matt "Guitar" Murphy on what would become Murphy's final project. After he passed in June of 2018, the fate of the unfinished project was placed in Christina's hands. He began outreach to musicians who were friends of Murphy, played with him, or were otherwise influenced by him. The response was overwhelming.