Foreigner Dvd

Eric Martin began his singing career in the late 1970s with a band called 415. With 415, Eric opened for many established acts like Billy Squire, Hall & Oats, Journey, ZZ Top and Foreigner. The band was signed to Elektra/Asylum records and released Sucker For a Pretty Face. Soon after, they changed their name to the Eric Martin Band. The band parted ways after returning from a 1984-85 tour with ZZ Top. For the next couple of years, Eric continued to tour and release albums as a solo artist. In 1988, Eric teamed up with Billy Sheehan, Pat Torpey and Paul Gilbert to form Mr. Big. The band found huge success with the release of 6 studio albums, numerous hit singles and 6 top-selling live CDs. All combined, worldwide sales reached the 7 million mark. Mr. Big released their final album, Actual Size in 2001.

Scotty Bratcher began playing guitar at an age that it became second nature to him, he was two. By this time, Stevie Ray Vaughan had impressed the world. When the 1989 release of his Austin City Limits performance was aired, Scotty was spellbound in front of the television. Eventually Scotty's father had acquired a few electric guitars that he let Scotty play as long as he was careful with them.
When he was eleven, Scotty was going to open mike nights at clubs in the greater Cincinnati area. This was where he began getting on-stage experience and eventually found band members to support him. Over the next several years, Scotty sat in with various bands and had the opportunity to open for hero Lonnie Mack…

The album КОНЦЕРТ (Russian for "Concert") was released in October 1987. Singer Peter Hewlitt was brought in to hit the high notes on his most vocally challenging songs, like "An Innocent Man." Joel also did versions of The Beatles' classic "Back in the U.S.S.R." and Bob Dylan's "The Times They Are a-Changin'". It has been estimated that Joel lost more than $1 million of his own money on the trip and concerts, but he has said the goodwill he was shown there was well worth it…

Prior to the recording of this album, at a private performance in May 2005, Seventh Key, the five-year magical musical partnership between Kansas bassist Billy Greer and his old Streets bandmate, Mike Slamer, had never played a live gig. And that is a damn shame, because Live in Atlanta proves loud and clear that Seventh Key sounds heavier, tighter and more dramatic on the stage than in the studio, especially on songs like 'An Ocean Away', 'Winds Of War' and 'The Sun Will Rise'…

A fine tribute to 70's and 80's keyboard-driven pomp and arena rock with some slightly proggy moments. It's actually been four years since the last Oz Knozz album ‘10,000 Days & Nights,’ which isn’t bad considering that the gap between that and the previous album was thirty-three years! …

L'infinito is the final installment of the trilogy that Le Orme began with Il Fiume. In terms of style, it closely mimics Elementi, including the Satriani style guitar early on and the sitar around the middle. In terms of quality, it's perhaps half a notch below Elementi, but still a pretty good album. Aldo Tagliapietra makes a thematic return to Indian spirituality, with tracks like "Shanti" and a roadsign on the cover with an OM symbol on it. Incidentally, the Paul Whitehead cover is again moderately clever, but this time more visually appealing to me…