Russ Ballard's eponymous 1984 album and its sequel, The Fire Still Burns, were reissued on a single disc by Renaissance Records in 1996. Both albums are fairly spotty, but they have enough highlights to make this worthwhile for dedicated fans of Ballard or his former band Argent.Review by Stephen Thomas Erlewine
This is a great place to dip your toe in and see if Godley & Creme's music appeals to you. This, along with the 10cc Best of Compilation will provide you with the best glimpse into Godley & Creme's world. This compilation of their solo, post-10cc music, is a nice starting point for those unfamiliar with their work. It even includes the 1985 hit "Cry" which some people may recall from the MTV video. If original, tongue in cheek music is your cup of tea, this is a must. It's still a must for any rock collector.
In 1999, Smith recruited friends like guitarist Richie Sambora (Bon Jovi), singer Joe Lynn Turner (Rainbow), bassist and singer Glenn Hughes (Deep Purple), drummer Camine Appice (Vanilla Fudge), guitarist Howard Leese (Heart), singer Kelly Hansen (Foreigner), bassist Chuck Wright (Quiet Riot) and drummer Richie Onari (Sweet) to record the critically acclaimed Stuart Smith’s Heaven & Earth. This incredible debut album by rock/blues band Heaven & Earth features British guitarist Stuart Smith (who critics have compared to Beck, Blackmore, Clapton, and Page).
The first solo album by former (and future) Dio guitarist Craig Goldy. Working under the name Craig Goldy's Ritual, the album features two vocalists. Mike Stone provides vocals for about half of the tracks, while Goldy's ex-Giuffria colleague David Glen Eisley sings on the other half. Eisley has such a powerful voice it's no surprise that his tracks far outshine Stone's. The music on Hidden in Plain Sight is not as "metal" as Goldy's Dio work, instead coming across as more of a straightforward hard rock (perhaps hair metal) approach very similar to Giuffria and House of Lords. It's the kind of memorable melodic hard rock that the early 90's were so well known for.
Famed for their perennial "All Right Now," Free helped lay the foundations for the rise of hard rock, stripping the earthy sound of British blues down to its raw, minimalist core to pioneer a brand of proto-metal later popularized by 1970s superstars like Foreigner, Foghat and Bad Company. Free formed in London in 1968 when guitarist Paul Kossoff, then a member of the blues unit Black Cat Bones, was taken to see vocalist Paul Rodgers' group Brown Sugar by a friend, drummer Tom Mautner…
Following the meltdown of the original King Crimson lineup, Ian McDonald and Michael Giles brought brother Peter Giles back, which helps to account, in some ways, for the resemblance of this album to the 1968 Giles, Giles & Fripp recordings - though the songs here tend to go on at some length, combining prog rock's traits of length and multiple sections with some of the lighter feel of the GG&F days. The 20-minute "Birdman" tends toward self-indulgence, while "Tomorrow's People - The Children of Today" loses focus halfway and spends the next four minutes being a blithering - if pretty - musical idiot. The main attraction is really the performances turned in by McDonald and the Giles brothers - they all sound fabulous, even when waffling musically, while Michael Giles has a unique drum tone that never has been duplicated (Giles himself abandoned the sound for his later career in Jackson Heights and as a session drummer)…
The album КОНЦЕРТ (Russian for "Concert") was released in October 1987. Singer Peter Hewlitt was brought in to hit the high notes on his most vocally challenging songs, like "An Innocent Man." Joel also did versions of The Beatles' classic "Back in the U.S.S.R." and Bob Dylan's "The Times They Are a-Changin'". It has been estimated that Joel lost more than $1 million of his own money on the trip and concerts, but he has said the goodwill he was shown there was well worth it…