Milestone reissue! In 1982 Cassiber (phonetically: ‘a message smuggled out of prison’) crashed like a locomotive into the Deutsche Neue Welle. Founded by Heiner Goebbels, Alfred Harth, Christoph Anders and Chris Cutler, Cassiber managed to fuse materials and attitudes drawn from experimental rock, fringe jazz, punk, pop, plunderphonics, improvisation, close structure and musique concrete with an energetic and complex form of studio (and then concert) composition that was unique in its combination of diverse experimental approaches to form with a risky, emotional and expressive mode of execution…
An incredible tribute to German pianist Jutta Hipp – one of the few female players in the postwar European jazz scene, and one of the few who managed to make a splash on this side of the Atlantic too! Jutta's best known to American audiences for a handful of records she cut for Blue Note – and this set takes those records, and moves way way past them – to including a huge range of material that really opens up our understanding of Hipp's music in her all-too-short career! The CDs feature early German recordings – in a number of sessions with small groups that include a quintet with Emil Mangelsdorff on alto and Joki Freeund on tenor, a number of performances in the New Jazz Stars group of tenorist Hans Koller, work in a quintet with Attila Zoller on guitar, another sextet with Albert Mangelsdorff on trombone, and a group co-led with baritone saxoponist Lars Gullin.
Pairing the Dvořák Cello Concerto with the Victor Herbert Second Cello Concerto is not a new idea (Yo-Yo Ma has the same coupling), but it is a good one. A friend of Dvořák known primarily as a composer of operettas (42 altogether, the best known of which is Babes in Toyland), Herbert wrote for several genres, including film music as early as 1916. His Second Cello Concerto inspired Dvorak to try his hand at a similar work, and the orchestration of the Herbert, which includes three trombones, gave him some ideas on scoring. Gautier Capucon and Paavo Järvi give the Herbert a well-paced reading, spirited in its outer movements and deeply heartfelt in its central andante. It is the kind of performance that can make a listener wonder why this piece has been relatively neglected. However, the Dvořák will be the main reason for many people to get this disc…
Canada’s Blake Hargreaves summons the almighty power of Europe’s auld pipe organs in his spellbinding suite of improvisations recorded in churches in Genova, Höchst, Den Haag, Paris, Berlin, Prague, Budapest and Frankfurt. Make no mistake though, this is no hard academic exercise, this one’s on a pop tip, think about when Kara-Lis Coverdale talked about re-arranging hymns with a bit of Drake, or as the label put it "…as sweet as Schubert!”
The famous Townhall performance has been recorded by Kinskis Label Amadeo, but publication was forbitten by Helene Weigel, because of Kinskis variations from Brechts text. In the year 2003, the tapes have been found again and published first.