Gelb Alexander

A countryman of Bela Bartók and a sometime teacher to both György Ligeti and György Kurtág, Sándor Veress emigrated to Switzerland from what was then part of Hungary in 1949. Settling in Bern, he collected various prizes and teaching posts while working in relative obscurity on who knows how many pieces–most of which have been unavailable. This collection is made up of a pithy trio of compositions dated 1938 (Six Csárdás), 1951 (Hommage à Paul Klee), and 1952 (Concerto for Piano, Strings, and Percussion), and they show what a deftly melodic force Veress was. He's thrilled by blustery string wafts, especially in the concerto, where the percussion adds drama and immediacy. But he also favors sweetly chipper string formations, which surprise the ear during the homage to Klee, especially given the dissonances fostered early on by the twin pianos. The closing piano miniatures of Six Csárdás are counterpoint-rich gems, played with sharp precision by András Schiff.

More than the compilation series, more than the lovingly organised events, more than the radio shows: "Le Café Abstrait" is a philosophy of lifestyle: relaxed and culturally open-minded.
It was "Le Café Abstrait" and its mastermind, Raphaël Marionneau, who pioneered chill-out culture at Hamburg's internationally renown Mojo club in 1996: "Le Café Abstrait" reinvented nightclubbing in a new relaxing way. Once a month, stylish sofa installations and light projections transformed Mojo's dancefloor into a gigantic living room. There, up to 400 laid-back nightlife connoisseurs indulged in relaxation and Raphaël Marionneau's very special downtempo music selections. A new lifestyle was born: the couch culture…

It is hard to believe it as one listens to this album: pianist Vincent Meissner is just twenty years old. The drummer in the trio, incidentally, is even younger. Recognition for this major talent has started to grow, however, and the prizes are rolling in. Meißner has so far won six: the Bechstein Piano Competition, the Concert Prize of the Jazzopen Stuttgart, the Förderpreis of the German Jazz Union, the Jazzhaus Competition Freiburg and the Central German Jazz Prize. And he is also already showing quite some capacity to make smart decisions and follow them through. When he was chosen as to represent Saxony in the prestigious “Jugend jazzt” event in 2019, he opted to take a new approach to presenting his music. Rather than building pieces out of fragments or sketches, as he had done until then, he created a suite of connected pieces. This mature quality, the desire to present a coherent programme is also a hallmark of his debut album "Bewegtes Feld".