Gerard Way

Successful close-harmony Belgian-English group that attacked the Belgian and Dutch charts in the seventies. Precursor to the group was the formation "The Bats" from Diest, with in it the brothers René & Robert Vlaeyen. These successful Flemish entrepreneurs (René Vlaeyen is nowadays known as a TV-producer with VTM-shows as de Kotmadam & Gaston+Leo at his conscience). had international plans and placed an ad in Melody Maker in search of vocal talent. Steve Davies (who had been a session-musician in England for a group named "Octopus" in England, and who had later come to Germany and Belgium) and Robert Vlaeyen founded the Belgian "Octopus"…

This “short diary (of loss)”, as drummer Sebastian Rochford calls it, is offered as “a sonic memory, created with love, out of need for comfort.” It is dedicated to Rochford’s father, Aberdeen poet Gerard Rochford, 1932-2019, and to his family. Seb, one of ten siblings, wrote most of the music shortly after Gerard’s death and delivers it here, in performances of deep feeling and hymn-like clarity, together with pianist Kit Downes. The final wistful piece, “Even Now I Think Of Her” was composed by Gerard Rochford. Sebastian explains: “It’s a tune my dad had sung into his phone and sent me. I forwarded this to Kit. He listened, and then we started.”

On the eve of the New Year I offer you a small insight into the already so far away, but so cool twentieth century. And remember it will help you to Mario Lanza, Marilyn Monroe, Bill Haley & His Comets, Chuck Berry, Little Richard, Louis Armstrong, Pat Boone, Jerry Lee Lewis, Perry Como, Paul Anka, Roy Orbison, Scorpions, Bob Dylan, The Mama's & Papa's, Stevie Wonder, Van Morrison, Fleetwood Mac, Simon & Garfunkel, David Bowie, Johnny Cash, Blood, Sweat & Tears, Shocking Blue, Guess Who, Black Sabbath, Jefferson Airplane, Rod Stewart, The Byrds, The Kinks and many many others … The greatest hits of the past millennium. Need I say more? Download and enjoy the great past.

Joel Schumacher's 1987 film The Lost Boys capitalized on a temporary lull in horror movies in the late '80s and created a heavily music-video-influenced vampire homage with enough campy humor, heavy metal costumes, and hunky stars to put a fresh spin on the genre. An amusing piece of eye candy spiked by a few creepy moments, the movie, in typical '80s style, relies heavily on the soundtrack to bolster its emotional core. The soundtrack, like the film, works great on the surface – but don't go much deeper. A mix of covers and bombastic '80s pop originals, the songs work best when they concentrate on the horror factor. Echo & the Bunnymen turn in an excellent cover of the Doors' "People Are Strange" that has a bouncier, more melodic touch than the original. Jimmy Barnes and INXS' "Good Times" is an energetic rocker used to personify the party-hardy SoCal atmosphere of the film. The strongest song is the movie's theme, "Cry Little Sister," a goth-influenced midtempo ballad.