Hval

Norwegian musician and novelist Jenny Hval releases her new album Classic Objects. Classic Objects is a map of places; past places, like the old empty Melbourne pubs Hval’s band used to play in, public places Hval missed throughout lockdown, imagined, future places, and impossible places where dreams, hallucinations, death and art can take you. It is interested in combining heavenly things and plain things.

At first listen, The Practice of Love, Jenny Hval’s seventh full-length album, unspools with an almost deceptive ease. Across eight tracks, filled with arpeggiated synth washes and the kind of lilting beats that might have drifted, loose and unmoored, from some forgotten mid-’90s trance single, The Practice of Love feels, first and foremost, compellingly humane. Given the horror and viscera of her previous album, 2016’s Blood Bitch, The Practice of Love is almost subversive in its gentleness—a deep dive into what it means to grow older, to question one’s relationship to the earth and one’s self, and to hold a magnifying glass over the notion of what intimacy can mean. As Hval describes it, the album charts its own particular geography, a landscape in which multiple voices engage and disperse, and the question of connectedness—or lack thereof—hangs suspended in the architecture of every song. It is an album about “seeing things from above—almost like looking straight down into the ground, all of these vibrant forest landscapes, the type of nature where you might find a porn magazine at a certain place in the woods and everyone would know where it was, but even that would just become rotting paper, eventually melting into the ground.”

On each of her albums, Jenny Hval thoroughly examines what it means to be an artist, but on Classic Objects, she explores what it means to be herself. Like so many other people, during the COVID-19 global pandemic and its ensuing lockdowns Hval's life shrank down to a simple day-to-day existence – a challenging situation for an artist and performer who shares their work with the outside world and, in turn, draws inspiration from it. For her 4AD debut, Hval used her simpler existence as a self-described "private person" as source material for a set of songs so intimate and expansive that they feel like shared memories. Rather than a simplification of her music, Classic Objects feels like a distillation of it.