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Helge Schneider, 1955 born in Germany, Mülheim an der Ruhr, Comedian, Composer, Musician, Entertainer, Book- and Scriptwriter (Film/Stage play), Actor, Film Director.

He is one (if not the only one) of Germany´s funniest Entertainers. I personally love his improvised Comedy and Music, because it is more than unique and 100 % self made. In the beginning of Helge`s glorious career he started as a Jazz Musician and Entertainer. The song "Katzenklo" which i don´t like that much was his great break trough and over night he became famous and started to follow invitations to Germany`s Late Night Shows, like Schmitteinander etc..

From the very first moment in public Entertainment he confused the Audience including Moderators by presenting himself in a dressing gown, or else and made unusual performances no one ever expected - (like in the old Happenings - everything is possible). Not only verbal Humor in combination with Music is his great advantage, its is also the way he acts like a person in the limelight. Spontaneous dancing, funny mimic and gesture…(difficult to explain - you have to see it). This guy plays an enormous amount of different instruments, sometimes simultaneous. - interested ?! maybe you start with the two documentaries in this post.

Group who released early cut & paste records in the UK before joining Psychic TV. Featuring core PTV member Matthew Best (aka. DJ Global). They did numerous remixes for Psychic TV as well as releasing some material of their own.

The somewhat unlikely appearance of an album's worth of show tunes from a group primarily known for R&B and pop music proves once again that Motown was producing artists and concepts that reached far beyond that of other record labels. The Supremes Sing Rodgers & Hart began as a multimedia spinoff based on the female vocal trio's appearance on the prime time ABC TV special Rodgers & Hart Today during the summer of 1966. Although the original idea that included a double LP was scrapped, the dozen tracks that made the cut are indeed the crème de la crème of savory and sophisticated stage and screen showstoppers with '60s soul. The naturally dramatic vocal delivery of the Supremes – Diana Ross, Mary Wilson, and Florence Ballard – was an obvious key to the success of their chart-topping hits "Stop! In the Name of Love," "Where Did Our Love Go," and "You Can't Hurry Love." Additionally, the trio had incorporated show tunes both into its stage performances and recordings, so the concept was not as foreign as first impressions might suggest. The mix of traditional and modern arrangements also lends to the ageless quality of the music. The album is bookended by the lavishly orchestrated "The Lady Is a Tramp" and "Blue Moon"; however, the whole of pop music is explored in between.

Two teenagers are attending a private school for girls in New England in 1955. When they lose their virginity, there are some unexpected and tragic consequences.

While maintaining her status as a television star, Dinah Shore made a series of classy albums for Capitol Records between 1959 and 1962. On this, the fourth of her five LPs for the label, she again teamed with André Previn, who had arranged and conducted her earlier album, Somebody Loves Me. This time, Previn took to the piano, joined only by an occasional rhythm section for another set of ballads (or, as the sleeve note put it, "songs in a mid-night mood"). They included standards by the Gershwins, Rodgers & Hart and others, and Shore handled them with more than her usual warmth; she smoldered. The result was a concept album that ranks with some of Frank Sinatra's.

On Curtis Stigers's 2022 release, this multi platinum artist takes a look back with new versions of his international hits "I Wonder Why," "Never Saw A Miracle," and "You're All That Matters To Me," as well as "This Life," the theme song to the TV show Sons Of Anarchy, and (What's So Funny 'Bout) Peace Love and Understanding" from The Bodyguard soundtrack. Stigers revisits these classics and more, in his signature laid back, jazzy, bluesy style.

The action now takes place miles away from the original location and partly in broad daylight, giving the film an entirely fresh yet disturbing new reality. The infection has left the building. In a clever twist that draws together the plots of the first two movies, this third part of the saga also works as a decoder to uncover information hidden in the first two films and leaves the door open for the final installment, the future '[REC] 4 Apocalypse.'