Iphigenie

Following the success of 1999's thrilling Armide, Marc Minkowski and his excellent cast fully convey the power and drama of Gluck's masterpiece. They pull you into the story (based on a play by Euripides) through the emotional truth of their interpretation. The opening quiet strings create an air of mystery dispelled by a ferocious storm magnificently conveyed by these early-music specialists. Within a few phrases of Iphigénie's opening lament, Delunsch creates a believable, sympathetic character.

This six-CD set is sure to be of interest to fans of Susan Graham, the phenomenally successful American mezzo-soprano. The recordings, with the exception of just a few tracks from the 1990s, were made between 2000 and 2005, and they reveal Graham in her prime. Five of the discs had previously been released, but one is made up of selections from a variety of sources, including complete opera recordings. The set demonstrates Graham's versatility, both stylistically in the many types of music she sings and in the emotional spectrum that the songs and arias encompass. .

Tenor Reinoud Van Mechelen concludes his trilogy dedicated to hautes-contre with "Legros, haute-contre de Gluck". Joseph Legros (1739-1793) was a singer at the Paris Opéra, renowned for his extraordinary musical abilities, wide range and brilliant high notes. “His contemporaries appreciated the fact that his vocal delivery was not forced and that his taste was less mannered than that of his predecessors. His pronunciation was perfect and his face pleasing, although he did not cut a graceful figure and his stage acting left something to be desired” writes Benoit Dratwicki, of the Centre de Musique Baroque de Versailles, which is a partner in this series… Legros sparked renewed interest among modern composers for the haute-contre voice.