Jeanette Leech

Sharron Kraus - Joy's Reflection Is Sorrow (2018)  Music

Posted by Domestos at Jan. 6, 2019
Sharron Kraus - Joy's Reflection Is Sorrow (2018)

Sharron Kraus - Joy's Reflection Is Sorrow (2018)
WEB FLAC (tracks) ~ 286.33 Mb | 43:38 | Cover+booklet.pdf
Folk, Neofolk | Country: UK | Label: Sunstone Records

The prolific Kraus (two dozen-plus recordings in numerous permutations/collaborations, including Rusalnaia, Tau Emerald, Espers, United Bible Studies, and The Big Eyes Family Players) points a yin/yang mirror at broken relationships and doomy/gloomy aftereffects on her latest solo album. Song titles address darkness, sorrow, death, and danger, so this is not exactly the party album you’ll want to toss on at the next backyard BBQ. No, this should be savoured in the comfort of your own bedsit, contemplating Kraus’s personal demons while you reflect back on your own disheartened past experiences. ‘Figs and Flowers’ flickering, countrified melody flows across your swaying body on the back of Nick Davis’s singing slide and angelic choral harmonies from Nancy Wallace and Jenny Bennett, with Oliver Parfitt’s bubbling synth and Bennett’s recorder adding an elegant sheen.

Bark Psychosis - Hex (Remastered) (1994/2017)  Music

Posted by delpotro at Dec. 29, 2019
Bark Psychosis - Hex (Remastered) (1994/2017)

Bark Psychosis - Hex (Remastered) (1994/2017)
EAC Rip | FLAC (tracks+log+.cue) - 286 Mb | MP3 CBR 320 kbps - 118 Mb | 00:51:25
Experimental, Indie, Post-Rock | Label: Fire Records

The recent release of Jeanette Leech’s book ‘Fearless: The Making Of Post-Rock’ (Jawbone Press) celebrates post-rock and its origins. Finding new inspiration, bands were beginning to experiment with techniques as the digital age took over. A case study in her new book, Bark Psychosis were one of the most innovative bands of their time and as legend has it, saw the first use of the term ‘post-rock’ by music critic Simon Reynolds. Following several singles and EPs, the avant-garde soundscapes built around drones and samples of 21-minute stand-out track ‘Scum’ arrived just two years before their seminal debut ‘Hex’ (1994). Frustrated by the mainstream, ‘Scum’ was a huge statement that set them apart from the beginning.