John Abercrombie Quartet

Jan Garbarek's music can be summed up in one simple word: meditation. Sure, the term is loaded with overtones, both good and bad. But do not confuse meditation with mindlessness: they are polar opposites. Garbarek's thirty years with ECM (as a leader and collaborator) have yielded hundreds of melodies which lead to an infinitely light state of inner peace. It's hard to imagine a more positive statement for a saxophone player who long ago decided to forsake flash-and-bang for "simpler" music with understated spiritual energy. And this two-disc set does Garbarek justice. Each disc runs in chronological order from about 1975 through 1995.

From the Astral is the debut album by the Montreal-based guitarist Oli Astral (Olivier Grenier-Bédard) and his trio with veteran double bassist/modular synthesist Frédéric Alarie and drummer William Régnier. Astral is an award-winning axeman who has studied with John Abercrombie, Mike Moreno, and Jonathan Kreisberg, and a founding member of Canadian jazz quartet LEAF…

When tenor saxophonist Charles Lloyd turned 80, he made sure to mark the occasion with an epic concert at Santa Barbara’s Lobero Theatre. His youthful quintet Kindred Spirits is anchored by his longstanding New Quartet rhythm section (bassist Reuben Rogers, drummer Eric Harland), but with them are pianist Gerald Clayton and guitarist Julian Lage, both newer arrivals to the Lloyd universe and major leaders in their own right. Clayton imaginatively inhabits a space once filled by his predecessor, Jason Moran, while Lage (playing a Telecaster) follows in a line of acclaimed Lloyd guitar sidemen (John Abercrombie, Bill Frisell, and Gabor Szabo). Playing tried-and-true Lloyd repertoire beginning with “Dream Weaver,” the title track of his first Atlantic LP from ’66, and ending with the abstract, explosive “Part 5, Ruminations,” Kindred Spirits captures the essence of Lloyd’s mystical jazz vision, and gives it new, forward-thinking shape as well.