"It was magic night! The air was electric and felt good. The audience responded beautifully."Johnny Cash, July 2002
There's an amazing twang and reverb on these 1956 sessions. They should have just let the band run through their entire repertoire. The Sun singles don't sound like this. The freshness and vitality of the new blasts through these recordings. They are quite awesome (despite the crackles) and I say that as someone who only owns a single Cash cd. If you know anyone who is a big Johnny Cash fan get this for them, you will make their day.
American singer-songwriter, actor, and author, born February 26, 1932 in Kingsland, Arkansas, USA; died September 12, 2003 in Baptist Hospital, Nashville, Tennessee, USA…
Although primarily remembered as a country music icon, his genre-spanning songs and sound embraced rock and roll, rockabilly, blues, folk, and gospel. This crossover appeal won Cash the rare honor of multiple induction in the Country Music, Rock and Roll, and Gospel Music Halls of Fame…
Recorded July 28, 1990 at The Paramount Theatre, Asbury Park, New Jersey.
Johnny Cash's fourth project with producer Rick Rubin continues on the same path as many of their previous releases: Cash's warm and rumbling baritone over minimal production and gentle duets with some surprising guests. One of the things that sets American IV: The Man Comes Around apart from the others is Cash's song selections. The success he experienced with his previous interpretations of contemporary songwriters (Soundgarden's "Rusty Cage," Nick Cave's "The Mercy Seat") is applied to this album with varying degrees of success. His throaty reading of Nine Inch Nails' "Hurt" easily fits into his "Man in Black" persona, and the spiritual conviction underlying Depeche Mode's "Personal Jesus" is certainly powerful.