Lasker

This album comprises world première recordings of works by Vaughan Williams arranged for two pianos by people who worked closely with the composer. The Fifth Symphony manuscript bears many amendments and annotations in Vaughan Williams’s own hand, and the recording offers the work with new clarity and fresh insight. The British piano duo Goldstone and Clemmow consists of internationally known artists Anthony Goldstone and Caroline Clemmow. They have been recording together, to widespread acclaim, for more than a third of a century.

The French is a sound and resilient defence, which also provides abundant opportunities for counterplay. As a result it has been favoured by such great fighting players as Lasker, Botvinnik and Korchnoi. Current adherents include Short, Shirov, Morozevich and Khalifman. By playing 3 Nc3, White confronts the French head-on. The upshot is often a ferocious battle as Black tries to destroy or damage White's central pawn phalanx. Some of the variations, such as the notorious Winawer Poisoned Pawn, are among the sharpest in opening theory. However, both sides have quieter, more positional, options at their disposal, so there is truly something for everyone in the Main Line French.

The life of Jewish Expressionist poet and performance artist, Else Lasker-Schüler (1869-1945), told chronologically in vignettes given context by archival footage of turn-of-the-century Germany, World War I, and the ascent of the Third Reich. Her poetry often comprises the soundtrack. We see her in relation to men: her first husband, whom she leaves after her son is born; artists like Chagall and Franz Marc; an older muse and then a second husband; and, Gottfried Benn (1886 - 1956), physician and poet. Benn's life is also chronicled: homosexual encounters, his attraction to Else and the Berlin scene, and his politics. Her poems addressed to him define this cultural moment.